पुष्पकविमानवर्णनम्
Description of the Pushpaka Vimana and Ravana’s Inner Palace
हंसकारण्डवाकीर्णाश्चक्रवाकोपशोभिताः।आपगा इव ता रेजुर्जघनैः पुलिनैरिव।।5.9.51।।
haṃsakāraṇḍavākīrṇāś cakravākopaśobhitāḥ | āpagā iva tā rejur jaghanaiḥ pulinair iva || 5.9.51 ||
Geschmückt mit Schwänen und Kāraṇḍava-Vögeln und erhellt von Cakravākas, glänzten jene Frauen wie Flüsse, und ihre Hüften glichen sandigen Ufern.
Their hips were like river banks crowded with swans, karandava and Chakravaka birds shining like rivers.
Dharma appears as disciplined perception: the text models how to witness worldly splendor without being possessed by it—keeping truth (satya) of purpose foremost.
Hanumān continues scanning the palace interior, noticing ornaments and bodily forms through poetic comparisons to a river scene.
Steadfastness (dhṛti) in Hanumān—his attention remains investigative, not indulgent.