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Shloka 73

The Greatness of Puṣkara: Tripuṣkara Pilgrimage, Sacred Geography, and the Doctrine of Self-Restraint

स्वरोद्गारैश्च क्रीडद्भिः समंतादनुनादितं । सिंहव्याघ्रैर्महानादं नदद्भिरनुनादितं

svarodgāraiśca krīḍadbhiḥ samaṃtādanunāditaṃ | siṃhavyāghrairmahānādaṃ nadadbhiranunāditaṃ

Ringsum erscholl das Rufen spielender Wesen; und wiederhallend erklang erneut das mächtige Brüllen von Löwen und Tigern, die dröhnend brüllten.

स्वर-उद्गारैःby loud cries/roars
स्वर-उद्गारैः:
Karana (करण/Instrument)
TypeNoun
Rootस्वर (प्रातिपदिक) + उद्गार (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन — Instrumental plural
and
:
Samuccaya (समुच्चय/Coordination)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
क्रीडद्भिःby (those) sporting/playing
क्रीडद्भिः:
Karana (करण/Instrument)
TypeAdjective
Rootक्रीडत् (कृदन्त; √क्रीड् विहारे, शतृ)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन — Instrumental plural; वर्तमानकाले शतृ-प्रत्ययान्त
समन्तात्on all sides
समन्तात्:
Adhikarana (अधिकरण/Spatial scope)
TypeIndeclinable
Rootसमन्तात् (अव्यय)
Formदेशवाचक-अव्यय (adverb: on all sides)
अनुनादितम्echoing/resounding
अनुनादितम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootअनुनादित (कृदन्त; अनु + √नद् शब्दे, क्त)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन — Nom./Acc. singular; क्त-प्रत्ययान्त
सिंह-व्याघ्रैःby lions and tigers
सिंह-व्याघ्रैः:
Karana (करण/Instrument)
TypeNoun
Rootसिंह (प्रातिपदिक) + व्याघ्र (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन — Instrumental plural; इतरेतर-द्वन्द्व
महा-नादम्a great roar
महा-नादम्:
Karma (कर्म/Object; content of sound)
TypeNoun
Rootमहा (प्रातिपदिक) + नाद (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन — Accusative singular
नदद्भिःby (those) roaring
नदद्भिः:
Karana (करण/Instrument)
TypeAdjective
Rootनदत् (कृदन्त; √नद् शब्दे, शतृ)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन — Instrumental plural; वर्तमानकाले शतृ-प्रत्ययान्त
अनुनादितम्echoing/resounding
अनुनादितम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootअनुनादित (कृदन्त; अनु + √नद् शब्दे, क्त)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन — Nom./Acc. singular; क्त-प्रत्ययान्त

Narrator (context not provided; speaker cannot be reliably identified from the single verse alone)

Concept: Creation contains both gentleness and ferocity; harmony is not the absence of power but the right place of each force.

Application: Hold inner opposites with discipline: let ‘lion energy’ become courage and protection, not aggression; let play remain innocent, not careless.

Primary Rasa: adbhuta

Secondary Rasa: vira

Type: forest

Visual Art Cues: {"scene_description":"The forest rings on all sides: playful cries ripple through the trees, then deeper echoes answer—lions and tigers roaring like thunder in a green cathedral. The air itself seems to vibrate, turning the grove into a vast instrument where innocence and might share the same resonance.","primary_figures":["Lions","Tigers","Playful forest creatures (monkeys, deer, birds—suggested)"],"setting":"Dense forest with echoing ravines and rocky outcrops; layered canopy forming a natural dome","lighting_mood":"forest dappled","color_palette":["deep-jungle-green","shadow-indigo","sun-spear-gold","stone-gray","rust-orange"],"tanjore_prompt":"Tanjore painting style: dramatic forest scene with roaring lion and tiger in commanding poses, gold leaf used to trace sound-waves as ornamental arcs, rich saturated foliage, stylized rocks, decorative borders, intense contrast between playful smaller creatures and majestic predators, traditional iconographic clarity.","pahari_prompt":"Pahari miniature style: refined depiction of a forest ravine with subtle echo implied by repeated curved lines, lion and tiger placed on separate planes, delicate trees and cool shadows, small playful animals in the periphery, lyrical yet tense atmosphere, nuanced facial expressions.","kerala_mural_prompt":"Kerala mural style: bold outlined lion and tiger with exaggerated expressive eyes, rhythmic sound-wave motifs around mouths, flat pigment fields, temple-wall drama, strong reds/yellows/greens, symmetrical framing to suggest cosmic order even in ferocity.","pichwai_prompt":"Pichwai cloth painting style: patterned forest band with stylized predators as guardian motifs, ornate floral borders, repeated wave-like designs to symbolize roaring resonance, deep blues and gold, devotional geometry that tames wildness into sacred pattern."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["roaring echoes","sudden bird-flurries","rustling canopy","distant conch-like wind","brief thunder-like drum"]}

Sandhi Resolution Notes: स्वरोद्गारैश्च = स्वर-उद्गारैः + च; सिंहव्याघ्रैर्महानादं = सिंहव्याघ्रैः + महानादम्; नदद्भिरनुनादितं = नदद्भिः + अनुनादितम्.

FAQs

A natural landscape—likely a forest or wilderness—filled with echoes of animal calls, emphasized by the powerful roars of lions and tigers.

Not directly; it functions primarily as vivid descriptive narration (prakṛti-varṇana). Any ethical or theological takeaway depends on the surrounding passage, which is not included here.

It is a stylistic emphasis: the area is portrayed as continuously reverberating—first with general playful cries, then again with the louder, awe-inspiring roars of predators.