Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
शेषं तद्वलये न्यस्य हृद्दृक्छ्रोत्रे नसोर्द्वयोः । त्वचि ध्वजे च पायौ च पादयो रर्णकान्न्यसेत् ॥ ८३ ॥
śeṣaṃ tadvalaye nyasya hṛddṛkchrotre nasordvayoḥ | tvaci dhvaje ca pāyau ca pādayo rarṇakānnyaset || 83 ||
Indem man das Übrige auf den Ringfinger legt, vollziehe man sodann Nyāsa auf Herz, Augen, Ohren und beide Nasenlöcher; und man setze die bestimmten Silben auch auf die Haut, auf den Dhvaja (Banner), auf den After und auf die Füße.
Sanatkumara (teaching Narada a technical ritual procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It teaches nyāsa—sacralizing the practitioner’s body by assigning mantra-syllables to specific limbs and sense-centers, turning the body into a fit locus for worship and focused meditation.
By prescribing a disciplined, embodied form of worship: devotion is expressed through careful mantra-placement and reverent attention to the heart and senses, so the devotee’s perception and action become aligned with the chosen deity’s remembrance.
Ritual-technical know-how—mantra-nyāsa/anga-vinyāsa (a procedural application of sacred sound to bodily loci), reflecting the applied side of Vedic practice used in pūjā and mantra-sādhana.