The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
हेमहरान्वितापुष्पा हाराढ्या रसवत्यपि । माधुर्य्यमधुरा पद्मा पद्महस्ता सुविश्रुता ॥ १७९ ॥
hemaharānvitāpuṣpā hārāḍhyā rasavatyapi | mādhuryyamadhurā padmā padmahastā suviśrutā || 179 ||
Mit goldenen Girlanden und Blumenschmuck geziert, reich an Halsketten und erfüllt von köstlicher Rasa. Süß mit der Süße selbst, ist sie die Lotosgleiche—lotushändig und weithin berühmt.
Sanatkumara (in dialogue context with Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
The verse functions as a dhyāna-style praise, describing Lakṣmī’s auspicious form (gold, flowers, lotus) to cultivate śraddhā and invite śrī (prosperity, grace) into devotional practice.
By repeatedly naming divine qualities (guṇa-kīrtana)—sweetness, beauty, renown, lotus-hands—the verse exemplifies bhakti through remembrance and praise, a standard Purāṇic method for fixing the mind on the deity.
It showcases alaṅkāra and śabda-prayoga (poetic diction) useful for Vyākaraṇa-informed recitation and correct phonetic delivery (Śikṣā), especially in stotra-style memorization and chanting.