The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
गलत्परागधूलिभिः सुरभीकृतदिङ्मुखः । स्मरेच्छिशिरितं वृंदावनं मंत्रीसमाहितः ॥ ४१ ॥
galatparāgadhūlibhiḥ surabhīkṛtadiṅmukhaḥ | smarecchiśiritaṃ vṛṃdāvanaṃ maṃtrīsamāhitaḥ || 41 ||
Wenn umhertreibender Blütenstaub die Antlitze aller Himmelsrichtungen mit Duft erfüllt, soll der Mantra-Übende—den Geist ganz gesammelt im Samadhi—Vṛndāvana betrachten, als wäre es durch frommes Erinnern gekühlt.
Narada (teaching in a Vedanga/mantra-practice context; dialogue frame traditionally with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents sacred remembrance (smaraṇa) as a yogic tool: the practitioner steadies the mind (samāhita) and contemplates a sanctified landscape (Vṛndāvana), where sensory purity (fragrance, coolness) supports inner clarity and devotion.
By urging remembrance of Vṛndāvana, it points to bhakti through smaraṇa—bringing the heart to the Lord’s sacred realm in contemplation, so devotion becomes continuous and emotionally ‘cooling’ (śiśirita) to the mind.
The practical takeaway is mantra-sādhana discipline: mental one-pointedness (samāhita) and visualization/remembrance as an aid to japa and dhyāna—an applied, technical instruction aligned with Vedanga-style practice methods.