कट्यां लिंगे जानुनोश्च पादयोर्विन्यसेत्क्रमात् । हृदंतान्मंत्रवर्णांश्च ततो मूर्ध्नि ध्रुवं न्यसेत् ॥ २९ ॥
kaṭyāṃ liṃge jānunośca pādayorvinyasetkramāt | hṛdaṃtānmaṃtravarṇāṃśca tato mūrdhni dhruvaṃ nyaset || 29 ||
Der Reihe nach setze man (das Mantra) an der Taille, am Zeugungsorgan, an den Knien und an den Füßen. Dann, nachdem man die Silben des Mantras bis zum Herzen gesetzt hat, befestige man zuletzt die feste Setzung (dhruva) auf dem Haupt.
Narada (teaching procedural ritual details in a technical/Vedanga-oriented context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—sanctifying the body by placing mantra-syllables in an ordered way—so the practitioner’s body becomes a fit support (ādhāra) for mantra-japa and worship.
By prescribing disciplined mantra-installation on the body, it frames devotion as embodied upāsanā—devotion expressed through precise, reverent ritual action that steadies the mind for worship.
It highlights technical ritual procedure and mantra-phoneme awareness (mantra-varṇa), aligning with Vedāṅga-style precision in recitation and placement used in upāsanā and related prayoga traditions.