The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
कर्णिकायां च षट्कोणं ससाध्यं तत्र मन्मथम् । शिष्टैस्तु सप्तदशभिरक्षरैर्वेष्टयेत्स्वरम् ॥ १८८ ॥
karṇikāyāṃ ca ṣaṭkoṇaṃ sasādhyaṃ tatra manmatham | śiṣṭaistu saptadaśabhirakṣarairveṣṭayetsvaram || 188 ||
Im zentralen Perikarp (karnikā) des Diagramms zeichne man ein Sechseck; dort setze man, zusammen mit dem sādhya (dem erstrebten Ziel), Manmatha (Kāma). Dann umkreise man den Samenlaut (bīja-svara) mit den verbleibenden siebzehn Silben.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents a precise yantra–mantra method: the sādhya (intended result) and the deity-force (Manmatha) are installed in a defined geometric center (ṣaṭkoṇa), and the mantra’s power is stabilized by encircling the core sound with a fixed count of syllables.
Even within technical rites, the verse implies focused deity-installation and disciplined recitation/visualization; such one-pointedness (ekāgratā) can be integrated into devotional practice when performed as an offering and with reverence to the invoked deity-force.
It highlights technical mantra-application: akṣara-counting (syllabic precision), placement rules within a yantra (ṣaṭkoṇa in the karṇikā), and the operational use of a bīja/svara—skills aligned with applied ritual science and phonetic/mantric discipline.