The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
कर्णादिस्वस्वस्थानेषु श्रोत्रादीनींद्रियाणि च । तथा वागादींद्रियाणि स्वस्वस्थानषु विन्यसेत् ॥ १५ ॥
karṇādisvasvasthāneṣu śrotrādīnīṃdriyāṇi ca | tathā vāgādīṃdriyāṇi svasvasthānaṣu vinyaset || 15 ||
Man soll die Sinnesvermögen—beginnend mit dem Hören—in ihre eigenen Sitze einsetzen, angefangen beim Ohr; ebenso soll man die Handlungsorgane—beginnend mit der Rede—in ihre jeweiligen Plätze einsetzen.
Sanatkumara (teaching Narada in a technical, Vedanga-style discipline of mental/ritual arrangement)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It teaches disciplined inner order: by mentally assigning each sense and action-faculty to its proper seat, the practitioner prevents sensory overflow and cultivates steadiness suited for mantra, ritual precision, and meditation.
Bhakti becomes stable when the senses are regulated; placing hearing, speech, and other faculties in their proper functions supports attentive śravaṇa (hearing divine names), controlled kīrtana (speech), and focused worship without distraction.
A technical, methodical practice akin to śikṣā/ritual discipline: correct “placement” (vinyāsa) of faculties mirrors the precision required in Vedic recitation and rites—control of speech and attention is treated as a practical science.