Hanūmaccarita
The Account of Hanumān
नद्याः सैकतवेदिकां नवतरां संछाद्य सूक्ष्मांबरैःशुद्ध्वैः श्वेततरैरथोपरि घटांस्तोयेन पूर्णान्क्षिपेत् । लिप्त्वा नालकजातिमास्तपुटकं तत्कौलकं कारिकाचूर्णं चन्दनचन्द्ररश्मिविशदां मालां पुटांतं क्षिपेत् । यामस्यापि पुनश्च वारिवसनेनाशोध्य कुम्भेन तञ्चंद्प्रन्थिमथो निधाय बकुलं क्षिप्त्वा तथा पाटलम् ॥ १६३ ॥
nadyāḥ saikatavedikāṃ navatarāṃ saṃchādya sūkṣmāṃbaraiḥśuddhvaiḥ śvetatarairathopari ghaṭāṃstoyena pūrṇānkṣipet | liptvā nālakajātimāstapuṭakaṃ tatkaulakaṃ kārikācūrṇaṃ candanacandraraśmiviśadāṃ mālāṃ puṭāṃtaṃ kṣipet | yāmasyāpi punaśca vārivasanenāśodhya kumbhena tañcaṃdpranthimatho nidhāya bakulaṃ kṣiptvā tathā pāṭalam || 163 ||
Am Flussufer bereite man einen frischen Sandaltar und bedecke ihn mit sauberem, sehr weißem, feinem Tuch; darauf setze man Töpfe, die mit Wasser gefüllt sind. Dann, nachdem man die duftende Substanz der Art nālaka samt ihrer kaulaka-Zubereitung und dem kārikā-Pulver bestrichen und geordnet hat, lege man dort innerhalb der umschlossenen Anordnung eine Girlande nieder, klar und glänzend wie Sandelholz und Mondstrahlen. Nach Ablauf eines weiteren yāma reinige man erneut mit Wasser und Tuch und mittels eines Wasserkruges; man setze den candrapranthi (Mondknoten) nieder und lege dann Bakula-Blüten sowie ebenso Pāṭala-Blüten dazu.
Narada (teaching in a technical/ritual instruction sequence, traditionally within Narada–Sanatkumara dialogue framing)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes ritual purity (śuddhi), correct sequencing, and a sanctified worship-space (sand-altar by a river), teaching that inner devotion is supported by disciplined external order.
Bhakti here is expressed through careful upacāra—clean cloth, water-filled kumbhas, fragrance, garlands, and flowers—showing devotion as attentive service performed with purity and steadiness over time (after a yāma).
It highlights procedural prayoga: constructing a vedikā, rules of purification with water/cloth, timed repetition (yāma), and standardized offerings (gandha, mālā, puṣpa), reflecting applied ritual science within the Vedāṅga-oriented section.