Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
पादैः सर्वेण पंचांगं ध्यानपूजादि पूर्ववत् । कार्तवीर्याय शब्दांते विद्महे पदमुञ्चरेत् ॥ ५८ ॥
pādaiḥ sarveṇa paṃcāṃgaṃ dhyānapūjādi pūrvavat | kārtavīryāya śabdāṃte vidmahe padamuñcaret || 58 ||
Mit allen Pāda des Mantras vollziehe man die fünffache Übung—Meditation (dhyāna), Pūjā und das Übrige—genau wie zuvor gelehrt. Am Ende der Formel für Kārtavīrya spreche man „vidmahe“ und lasse dann den nächsten Pāda folgen.
Narada (teaching in a technical, procedural register consistent with Vedanga-style ritual/mantra instructions)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined, complete performance: the mantra must be recited in full (all padas) together with the standard fivefold devotional-ritual components like meditation and worship, showing that inner focus and outer rite function as a single practice.
Bhakti here is expressed as structured worship—dhyāna and pūjā “as prescribed”—where correct remembrance and reverent offering accompany the mantra, indicating devotion is stabilized through consistent method.
Mantra-structure and recitation protocol: the verse refers to padas (quarters) and specifies inserting/uttering “vidmahe” at a particular point, reflecting a technical concern akin to śikṣā (phonetics/recitation) and ritual procedure.