The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
धनुश्चक्राभयवरान्दधतं नृहरिं स्मरेत् । लक्षं जपस्तद्दशांशहोमश्च घृतपायसैः ॥ ५ ॥
dhanuścakrābhayavarāndadhataṃ nṛhariṃ smaret | lakṣaṃ japastaddaśāṃśahomaśca ghṛtapāyasaiḥ || 5 ||
Man soll Nṛhari (Narasimha) meditierend vergegenwärtigen, der Bogen und Diskus (Cakra) trägt, die Geste der Furchtlosigkeit (Abhaya) zeigt und mit der Hand Gaben verleiht. Man vollziehe Japa von einem Lakh (100.000) Wiederholungen und bringe danach ein Homa in Höhe eines Zehntels dar, mit Ghee und süßem Milchreis.
Narada (in dialogue context with Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It presents a complete sādhana pattern—dhyāna (meditation on Nṛhari’s protective form), lakṣa-japa (100,000 repetitions), and daśāṁśa-homa (one-tenth fire-offering)—linking inner devotion with disciplined ritual completion.
Bhakti is expressed as steady remembrance of Nṛhari’s compassionate, protective presence (abhaya and vara), supported by devoted mantra practice and offerings that symbolize surrender and gratitude.
It reflects procedural ritual precision—fixed japa counts (lakṣa), the daśāṁśa rule for homa completion, and specific havis (ghṛta and pāyasa)—a technical, śāstra-style instruction consistent with Vedāṅga-oriented discipline.