The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
सहस्रभुज सम्प्रोच्य सहस्रजिह्व संवदेत् । सहस्रान्ते ललाटेति सहस्रायुधतोधरात् ॥ १८३ ॥
sahasrabhuja samprocya sahasrajihva saṃvadet | sahasrānte lalāṭeti sahasrāyudhatodharāt || 183 ||
Nachdem man zuerst «der Tausendarmige» gesprochen hat, soll man dann «der Tausendzüngige» sagen. Am Ende spreche man «dessen Stirn tausendfach ist» und schaue Ihn als Träger von tausend Waffen.
Narada (in instruction-mode within a Vedanga/technical recitation context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It prescribes an ordered contemplation of Vishnu through escalating epithets—many arms, many tongues, a vast forehead, and many weapons—training the mind to perceive the Lord’s all-pervading power and protective sovereignty.
Bhakti here is practiced as focused remembrance (smaraṇa) through structured recitation: repeating divine attributes in sequence steadies attention, deepens reverence, and turns worship into continuous contemplation of Vishnu’s greatness.
It reflects a technical discipline of recitation—ordered utterance of specific terms and epithets—aligned with Vedanga concerns like correct verbal formulation and ritualized speech (especially the precision expected in mantra/stotra usage).