The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
भयं निर्मोचययुगं प्रशमययुगं ततः । ज्ञेयरूपधारणान्ते नृसिंहबृहत्सामतः ॥ १७९ ॥
bhayaṃ nirmocayayugaṃ praśamayayugaṃ tataḥ | jñeyarūpadhāraṇānte nṛsiṃhabṛhatsāmataḥ || 179 ||
Dann soll man mittels des Nṛsiṁha Br̥hat-sāman das paarige Ritual vollziehen, das die Furcht löst, und das paarige Ritual, das sie besänftigt. Und am Ende der Annahme der betrachteten (erkennbaren) Gestalt ist dies entsprechend anzuwenden.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents a Sāma-vedic, Nṛsiṁha-centered application where fear is first released and then pacified, implying a disciplined, stepwise ritual-psychological purification culminating in steady meditative form (dharana).
By invoking Nṛsiṁha (a protective form of Viṣṇu) through sacred chant, the verse frames devotion as an applied practice: remembrance and sonic worship that stabilizes the mind and removes भय (fear), a key obstacle to steady bhakti.
It highlights technical mantra-application tied to Sāma Veda (sāman) usage—how a specific chant (Br̥hat-sāman) is employed at a defined ritual/meditative endpoint (dhāraṇānte) for a precise effect (fear-removal and pacification).