The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
एशान्यां पुण्डरीकाक्षः श्रीधरः पट्टिशायुधः । विद्युत्प्रभो हृषीकेश ऊर्द्ध्वे पातु समुद्गरः ॥ १२३ ॥
eśānyāṃ puṇḍarīkākṣaḥ śrīdharaḥ paṭṭiśāyudhaḥ | vidyutprabho hṛṣīkeśa ūrddhve pātu samudgaraḥ || 123 ||
Im Nordosten (Īśāna) möge Puṇḍarīkākṣa—Śrīdhara, der die Waffe paṭṭiśa trägt—mich beschützen. Von oben möge Hṛṣīkeśa Vidyutprabha, blitzgleich strahlend, mit dem Hammer (samudgara) bewaffnet, mich behüten.
Narada (in a kavacha-style recitation taught within the Narada Purana’s technical/mantra context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It invokes Vishnu’s specific names, forms, and weapons as a protective seal (kavacha), mapping divine guardianship to directions (north-east) and to the space above, reinforcing surrender (śaraṇāgati) and remembrance (smaraṇa) as spiritual protection.
Bhakti is expressed through concentrated remembrance of Vishnu’s epithets—Puṇḍarīkākṣa, Śrīdhara, Hṛṣīkeśa—treating the Lord not as abstract, but as a personally protective presence pervading all directions and realms.
It reflects applied mantra-prayoga: directional assignment (dik-bandhana) and kavacha-style recitation, a practical ritual technology aligned with Vedic auxiliary disciplines used to structure chanting and protective rites.