Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
नारायणं चक्रमतस्तत्त्वानि द्वादशैव तु । मूलार्णहृत्परायाद्यमात्मने हृदयांतिमम् ॥ ८० ॥
nārāyaṇaṃ cakramatastattvāni dvādaśaiva tu | mūlārṇahṛtparāyādyamātmane hṛdayāṃtimam || 80 ||
Für Nārāyaṇa, den Herrn, der das Diskusrad (cakra) trägt, gibt es wahrlich zwölf Prinzipien (tattva). Vom Wurzelsilbenlaut (mūla-arṇa) an bis zur innersten Essenz des Herzens hin sind sie auf den Ātman, das Selbst, ausgerichtet.
Narada (teaching within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It frames Nārāyaṇa-upāsanā as a structured inner ascent: from the mantra’s root-syllable (bīja) through graded principles (tattvas) to realization centered in the heart, oriented toward the Self.
Bhakti here is disciplined worship: devotion to Nārāyaṇa (the cakra-bearing Lord) expressed through mantra-japa and inward contemplation, bringing the devotee from sound (mūlārṇa) to heartfelt absorption (hṛdaya).
It reflects mantra-vidyā and phonetic/semantic discipline—key to Śikṣā (sound/recitation) and Vyākaraṇa/Nirukta-style attention to syllables and meaning—applied to meditation on bīja, tattva, and heart-centered upāsanā.