Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
पार्श्वयोः पूजयेत्पश्चांखपद्मनिधी क्रमात् । मुक्तामाणिक्यसंकाशौ पश्चिमे ध्वजमपर्चयेत् ॥ ४९ ॥
pārśvayoḥ pūjayetpaścāṃkhapadmanidhī kramāt | muktāmāṇikyasaṃkāśau paścime dhvajamaparcayet || 49 ||
Dann verehre man zu beiden Seiten der Reihe nach die beiden Schätze (Nidhis) Śaṅkha und Padma. Im Westen, strahlend wie Perlen und Rubine, verehre man das Banner (Dhvaja).
Sanatkumara (in instruction to Narada, within pūjā-vidhi context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that worship is not only devotion but also sacred order: honoring Śaṅkha and Padma as auspicious nidhis and installing the Dhvaja in the west symbolizes prosperity, protection, and the visible proclamation of the deity’s presence.
Bhakti is expressed through attentive service (arcana) with correct sequence and placement; the devotee’s care in arranging and worshiping auspicious attendants of the Lord becomes a disciplined, loving offering.
Ritual science—especially directional placement and ordered procedure (kramāt)—is emphasized, reflecting applied kalpa-style guidance (practical liturgy) within the Narada Purana’s technical third pada.