Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
कर्णिकायां ततोऽभ्यर्चयेद्विधिवञ्चांगदेवताः । दलेषु पूजयेत्पश्चाल्लक्ष्म्याद्यावृत्तचामराः ॥ १८१ ॥
karṇikāyāṃ tato'bhyarcayedvidhivañcāṃgadevatāḥ | daleṣu pūjayetpaścāllakṣmyādyāvṛttacāmarāḥ || 181 ||
Dann soll man in der Karnikā, dem inneren Kelch des Lotos, nach Vorschrift die Gottheiten der Glieder des Herrn verehren. Danach verehre man auf den Blütenblättern Lakṣmī und die anderen, die dargestellt werden, wie sie Cāmara-Fächer (Fliegenwedel) halten und schwingen.
Narada (teaching in a technical/ritual context, traditionally within Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches that devotion is strengthened by ordered worship: the central seat (karṇikā) is reserved for the core divinity and His aṅga-devatās, while the petals host attendant powers like Lakṣmī—showing a complete, harmonized vision of the divine retinue.
Bhakti is expressed not only as feeling but as disciplined upāsanā—honoring the Lord along with His limb-deities and attendants, which cultivates reverence, focus, and a sense of divine presence in every part of the ritual maṇḍala.
It reflects Kalpa-style ritual ordering (a Vedāṅga application): spatial placement of deities (center vs. petals) and sequential pūjā (tataḥ/paścāt), a technical method used in mantra-nyāsa and iconographic/maṇḍala worship.