Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
वामोरुन्यस्ततद्धस्ता दक्षिणेन धृताभयाः । सोकपालांस्तदस्त्राणि तद्वाह्ये पूजयेत्सुधीः ॥ ६३ ॥
vāmorunyastataddhastā dakṣiṇena dhṛtābhayāḥ | sokapālāṃstadastrāṇi tadvāhye pūjayetsudhīḥ || 63 ||
Die entsprechende Hand lege man auf den linken Schenkel, und die rechte halte man in der Geste der Furchtlosigkeit (abhaya-mudrā). Der Weise soll die Hüter der Himmelsrichtungen (lokapālas) verehren, samt ihren Gefäßen (pātra) und Waffen, ebenso das Reittier/Trägerwesen (vāhana) der Gottheit.
Narada (teaching ritual/technical procedure in the Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that complete worship includes not only the main deity but also the surrounding cosmic order—directional guardians (lokapālas), their powers (weapons), and the vāhana—so the sādhaka aligns the ritual with universal protection and stability.
Bhakti is expressed here as attentive, reverent completeness in pūjā—honoring the deity’s attendants and symbols with proper gestures (like abhaya-mudrā), showing disciplined devotion rather than casual worship.
It reflects kalpa-style ritual methodology: prescribed bodily placement (hand on thigh), use of mudrā (abhaya), and sequential honoring of subsidiary deities and implements—core practical know-how for correct liturgical performance.