Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
स्तुवीत धरणीपुत्रं पुष्पांजलिकरा ततः । ध्यायंती तत्पदांभोजं पूजासांगत्वसिद्धये ॥ १०४ ॥
stuvīta dharaṇīputraṃ puṣpāṃjalikarā tataḥ | dhyāyaṃtī tatpadāṃbhojaṃ pūjāsāṃgatvasiddhaye || 104 ||
Dann soll sie, die Hände gefaltet und eine Blumenopfergabe haltend, den Sohn der Erde preisen; indem sie den Lotus Seiner Füße betrachtet, damit die Verehrung vollständig vollzogen und zur Vollendung gelangt.
Sanatkumara (in instruction to Narada on ritual/vidhi)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that worship becomes spiritually effective when outer offering (pushpāñjali and praise) is united with inner absorption (meditation on the deity’s lotus-feet), leading to sāṅgatva—worship that is complete in both form and intent.
Bhakti is shown as a blend of stuti (loving praise) and dhyāna (steady contemplation). By fixing the mind on the deity’s lotus-feet while offering flowers, devotion becomes focused, humble, and continuous.
It reflects ritual-technical discipline: the notion of sāṅga-pūjā (a worship sequence with all required components) and correct performance of offerings like pushpāñjali along with prescribed mental acts such as dhyāna.