Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
प्रणवो भुवनेशानीस्वबीजांते नवार्णकः । हस्तीति च पिशाचीति लिखेञ्चैवाग्रिंसुंदरी ॥ ६१ ॥
praṇavo bhuvaneśānīsvabījāṃte navārṇakaḥ | hastīti ca piśācīti likheñcaivāgriṃsuṃdarī || 61 ||
Das neunsilbige Mantra wird mit dem Praṇava „Oṁ“ gebildet und endet mit der bīja der Bhuvaneśānī. Man soll es zusammen mit den Worten „hastī“ und „piśācī“ schreiben, ebenso auch mit „Agriṃ-sundarī“.
Sanatkumara (in instruction to Narada, within a technical/mantra-vidhana section)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It gives a precise, technical rule for constructing and inscribing a specific nine-syllabled (navārṇaka) mantra—showing that correct formation (praṇava + deity-bīja) is treated as spiritually consequential in mantra-śāstra sections of the Narada Purana.
While primarily technical, it supports devotional practice by prescribing a focused mantra-form connected to a Devī-form (Bhuvaneśānī); disciplined japa/likhita (written) mantra practice is presented as a concrete method of devotion and inner steadiness.
It highlights applied mantra-vidhi (ritual procedure) and phonetic/structural precision in mantra construction (praṇava, bīja, syllable-count)—a technical discipline aligned with Śikṣā (sound/recitation) and broader ritual science discussed in Book 1.3.