Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
ततस्तु साधकश्रेष्टः स्तंभयेच्छंखमुद्रया । आग्नेयादिषु कोणेषु हृदाद्यंगचतुष्टयम् ॥ ८ ॥
tatastu sādhakaśreṣṭaḥ staṃbhayecchaṃkhamudrayā | āgneyādiṣu koṇeṣu hṛdādyaṃgacatuṣṭayam || 8 ||
Dann soll der vortrefflichste Übende mittels der Muschel-Mudrā (Śaṅkha) die vier Hilfsglieder des Mantras, beginnend mit dem Herz-Glied (Hṛd), in den Ecken ab dem Südosten des Agni und den übrigen festsetzen und stillstellen.
Sanatkumara (teaching Narada in a technical/ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It teaches ritual steadiness: the practitioner ‘stabilizes’ the mantra-auxiliaries (aṅgas) with a mudrā, establishing control, protection, and focused continuity of worship before proceeding further.
Bhakti here is disciplined and methodical—devotion is supported by correct ritual acts (mudrā and directional placement), which help keep the mind steady and the worship space safeguarded for sustained remembrance of the deity.
Directional ritual application (dik/koṇa placement) and technical mantra procedure (aṅga-catuṣṭaya, mudrā-based stambhana) reflect a Vedāṅga-like emphasis on precise ritual performance and liturgical method.