Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
विष्णोरिति स्थले विप्र कार्य ऊहोऽन्यदैवते । ततः कुर्यात्सर्वसिद्ध्यै त्वजपाया निवेदनम् ॥ ७५ ॥
viṣṇoriti sthale vipra kārya ūho'nyadaivate | tataḥ kuryātsarvasiddhyai tvajapāyā nivedanam || 75 ||
O Brahmane, an einem Ort, wo das Ritual mit der Formel „des Viṣṇu“ vorgeschrieben ist, soll, wenn es auf eine andere Gottheit angewandt wird, die passende Ersetzung vorgenommen werden. Danach, zum Erlangen aller Siddhis, vollziehe man das nivedana (Darbringen) an Ajapā—die unausgesprochene Japa, der feine Mantra-Strom.
Narada (teaching in a Vedanga/ritual-technical context, addressed to a vipra)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches disciplined mantra-application: even when a formula is Viṣṇu-centered, one may adapt it correctly for other deities (ūha), and then seal the practice by dedicating it through Ajapā—inner, continuous japa—aimed at complete spiritual efficacy (sarva-siddhi).
Bhakti here is expressed as faithful, rule-based worship: honoring Viṣṇu-mantra authority while allowing reverent adaptation for other devatās, and culminating in inward devotion via Ajapā (subtle remembrance), not merely external recitation.
It highlights mantra-śāstra procedure—ūha (textual/mantric substitution) and correct nivedana (ritual dedication). This aligns with Vedanga-style technical precision in how mantras are applied across deities and rites.