The Greatness of Viṣṇu
Uttaṅka’s Hymn, Hari’s Manifestation, and the Boon of Bhakti
सद्भावं सच्चिदानन्दं तं वन्दे तिग्मचक्रिणम् । अजरं साक्षिणं त्वस्य ह्यवाङ्मनसगोचरम् ॥ १६ ॥
sadbhāvaṃ saccidānandaṃ taṃ vande tigmacakriṇam | ajaraṃ sākṣiṇaṃ tvasya hyavāṅmanasagocaram || 16 ||
Ich verneige mich vor dem Herrn mit dem scharfen Diskus; Sein wahres Wesen ist Sat-Cit-Ānanda—Sein, Bewusstsein und Glückseligkeit. Ungeboren und unalternd ist Er der innere Zeuge von allem und wahrlich jenseits von Wort und Geist.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It identifies Vishnu as Saccidānanda—the ultimate reality—while emphasizing His transcendence as the inner Witness who cannot be fully grasped by ordinary speech or thought.
Bhakti here is expressed as reverent surrender (vande) to Vishnu’s supreme nature; devotion is grounded not only in form (the discus-bearer) but also in realization of His formless, witnessing, transcendent essence.
No specific Vedāṅga technique is taught in this verse; its practical takeaway is contemplative discipline—restraining speech and mind in worship to approach the Witness beyond conceptualization.