Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
हंसाय मत्स्यरूपाय वाराहतनुधारिणे । नृसिंहाय ध्रुवेज्याय सांख्ययोगेश्वराय च ॥ ५२ ॥
haṃsāya matsyarūpāya vārāhatanudhāriṇe | nṛsiṃhāya dhruvejyāya sāṃkhyayogeśvarāya ca || 52 ||
Verehrung dem Herrn als Haṃsa; Ihm, der die Gestalt des Fisches (Matsya) annahm; dem Träger des Eberleibes (Varāha); Narasiṃha; der erhabenen Gottheit, die Dhruva verehrte; und auch dem höchsten Herrn von Sāṅkhya und Yoga.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta (wonder)
It gathers multiple manifestations of Vishnu into a single act of remembrance (smaraṇa) and salutation (namas), teaching that one Supreme Lord protects, teaches, and liberates through diverse avatāras—supporting Moksha Dharma through bhakti.
By offering repeated salutations to Vishnu’s forms and recalling Dhruva’s worship, the verse models bhakti as steady praise, memory, and surrender to the Lord who responds to devotees in many ways.
The verse is primarily stotra-oriented rather than technical Vedāṅga instruction; practically, it reflects disciplined recitation and remembrance (a bhakti practice) rather than topics like Vyākaraṇa or Jyotiṣa.