Śuka’s Origin, Mastery of Śāstra, and Testing at Janaka’s Court
उदारसत्वं सत्वज्ञास्सर्वाः पर्य्यचरंस्तदा । आरणेयस्तु शुद्धात्मा जितक्रोधो जितेंद्रियः ॥ ६७ ॥
udārasatvaṃ satvajñāssarvāḥ paryyacaraṃstadā | āraṇeyastu śuddhātmā jitakrodho jiteṃdriyaḥ || 67 ||
Dann dienten alle, die das Wesen des Sattva kannten, jenem edelmütigen. Und Āraṇeya, lauter an Seele, hatte den Zorn besiegt und seine Sinne bezwungen.
Narada (narration within the Moksha-Dharma discourse, traditionally framed in dialogue with Sanatkumara and the Kumara sages)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents inner purity as the hallmark of Moksha-Dharma: nobility of character, knowledge of sattva, and the concrete disciplines of conquering anger and restraining the senses.
While not naming a deity directly, it lays the ethical foundation for Bhakti: a pure mind and controlled senses make service (paricaryā) steady and devotion free from agitation and anger.
No specific Vedanga is taught in this verse; the practical takeaway is yogic-ethical discipline (indriya-nigraha and krodha-jaya) used in Moksha-Dharma as preparation for higher knowledge and devotion.