Jyotiṣa-śāstra Saṅgraha: Threefold Division, Gaṇita Methods, Muhūrta, and Planetary Reckoning
भुजकोटिकृतियोगमूलं कर्णश्च दोर्भवेत् । श्रुतिकृत्यंतरपद कोटिर्दोः कर्णवर्गयोः ॥ ४४ ॥
bhujakoṭikṛtiyogamūlaṃ karṇaśca dorbhavet | śrutikṛtyaṃtarapada koṭirdoḥ karṇavargayoḥ || 44 ||
Die Wurzel des „Yoga“, der durch die Verbindung an der Spitze des Arms entsteht, heißt das „Ohr“, und auch der Arm selbst entspricht ihm. Zwischen Ohr und Arm liegt die Zwischenstufe „koṭi“ (Gelenk/Winkel), zu den Gruppierungen von Arm und Ohr gehörig.
Sanatkumara (teaching Narada in a technical/disciplinary register)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames the body as a disciplined field of practice, where precise ‘junctions’ and ‘positions’ (yoga, pada, koṭi) are mapped and contemplated to support ordered sadhana within moksha-dharma.
Indirectly: by emphasizing precision and inner order, it supports the devotee’s steadiness (niyama) so that devotional practices—japa, remembrance, and worship—are performed with focused attention rather than distraction.
A Shiksha/Vedanga-like technical method: identifying bodily ‘points’ and intermediate ‘steps’ (pada) used for structured recitation, ritual placement, or contemplative alignment in practice.