Narada Purana — Purva Bhaga, Shloka 61
Janaka’s Quest for Liberation; Pañcaśikha’s Sāṅkhya on Renunciation, Elements, Guṇas, and the Deathless State
शब्दः स्पर्शश्च रूपं च मूर्त्यर्थमेव ते त्रयः । एते ह्यामरणात्पंच सद्गुणा ज्ञानसिद्धये ॥ ६१ ॥
śabdaḥ sparśaśca rūpaṃ ca mūrtyarthameva te trayaḥ | ete hyāmaraṇātpaṃca sadguṇā jñānasiddhaye || 61 ||
Klang, Berührung und Gestalt — diese drei dienen nur dazu, die gegenständliche Leibhaftigkeit (Materiehaftigkeit) zu begründen. Doch aus dem „Unsterblichen“ Prinzip gehen fünf edle Qualitäten hervor, bestimmt zur Erlangung wahrer Erkenntnis.
Sanatkumara (teaching Narada in Moksha-dharma discourse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It distinguishes sense-based qualities (sound, touch, form) that construct the experience of embodied objects from higher, “deathless” virtues that mature the seeker toward jñāna-siddhi (the perfection of liberating knowledge).
Indirectly, it supports bhakti by warning against fixation on sensory appearances and pointing toward inner qualities that stabilize the mind—conditions that make devotion steady, pure, and knowledge-bearing.
The verse is more philosophical than technical; it aligns with tattva-vicāra used in Vedic inquiry (often paired with disciplined study and reflection). Practically, it trains discernment between sensory data and knowledge-producing virtues rather than teaching a specific Vedāṅga procedure.