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Shloka 6

सहदेवस्य गोसंख्य-तन्तिपाल-रूपेण विराट-समागमः | Sahadeva’s Audience with Virāṭa as Cattle-Enumerator

Tantipāla

विराटस्य तु कैकेयी भार्या परमसम्मता | आलोकयन्ती ददृशे प्रासादाद्‌ द्रुपदात्मजाम्‌,इतनेमें ही राजा विराटकी अत्यन्त प्यारी भार्या केकय-राजकुमारी सुदेष्णाने, जो अपने महलपर खड़ी हुई नगरकी शोभा निहार रही थी, वहींसे ट्रपदकुमारीको देखा

virāṭasya tu kaikeyī bhāryā paramasammatā | ālokayantī dadṛśe prāsādād drupadātmajām |

Vaiśampāyana sprach: Inzwischen stand Sudeshṇā, die kaikeyische Prinzessin, Viraṭas hochgeschätzte und innig geliebte Gemahlin, auf dem Palast und schaute auf die Pracht der Stadt hinab. Von dort erblickte sie Drupadas Tochter.

विराटस्यof Virata
विराटस्य:
Adhikarana
TypeNoun
Rootविराट
FormMasculine, Genitive, Singular
तुbut/indeed
तु:
TypeIndeclinable
Rootतु
कैकेयीKaikeyī (a woman of Kekaya)
कैकेयी:
Karta
TypeNoun
Rootकैकेयी
FormFeminine, Nominative, Singular
भार्याwife
भार्या:
Karta
TypeNoun
Rootभार्या
FormFeminine, Nominative, Singular
परमसम्मताhighly esteemed/most beloved
परमसम्मता:
Karta
TypeAdjective
Rootपरमसम्मत
FormFeminine, Nominative, Singular
आलोकयन्तीlooking at/observing
आलोकयन्ती:
Karta
TypeVerb
Rootआलोकय् (आ + लोक्)
FormFeminine, Nominative, Singular, शतृ (present active participle)
ददृशेsaw
ददृशे:
TypeVerb
Rootदृश्
FormPerfect (Liṭ), Third, Singular, Ātmanepada
प्रासादात्from the palace
प्रासादात्:
Apadana
TypeNoun
Rootप्रासाद
FormMasculine, Ablative, Singular
द्रुपदात्मजाम्Drupada's daughter (Draupadī)
द्रुपदात्मजाम्:
Karma
TypeNoun
Rootद्रुपद-आत्मजा
FormFeminine, Accusative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
V
Virāṭa
S
Sudeshṇā (Kaikeyī princess, queen of Virāṭa)
D
Drupada
D
Draupadī (Drupadātmajā)
P
Prāsāda (palace)

Educational Q&A

The verse highlights how dharma in times of danger often depends on vigilance and discretion: even ordinary acts—like a queen observing the city—can trigger events that test one’s commitment to protecting those under concealment and maintaining rightful conduct within the palace.

Queen Sudeshṇā, standing on the palace and gazing over the city, notices Drupada’s daughter (Draupadī). This sighting becomes a narrative hinge in the Virāṭa court, leading toward Draupadī’s entry into the queen’s household and the ensuing complications.