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Shloka 128

अध्याय १४८ — कर्णप्रभावः, धृष्टद्युम्नस्य विरथता, तथा घटोत्कच-आह्वानम्

Chapter 148: Karṇa’s Pressure, Dhṛṣṭadyumna Unhorsed, and the Summoning of Ghaṭotkaca

तस्योत्सड्रे निपतितं शिरस्तच्चारुकुण्डलम्‌ । वृद्धक्षत्रस्थ नृपतेरलक्षितमरिंदम,शत्रुदमन नरेश! जयद्रथका वह सुन्दर कुण्डलोंसे सुशोभित सिर राजा वृद्धक्षत्रकी गोदमें उनके बिना देखे ही गिर गया

tasyotsadre nipatitaṁ śirastac cārukuṇḍalam | vṛddhakṣatrastha nṛpater alakṣitam ariṁdama śatrudamana nareśa | jayadrathasya sundarakuṇḍalopetaṁ śiraḥ rājā vṛddhakṣatrasya godāyāṁ tenaivālakṣitam apatat ||

Sañjaya sprach: Das Haupt—geschmückt mit schönen Ohrringen—fiel auf den Schoß des Königs Vṛddhakṣatra, ohne dass er es bemerkte. So sank das Haupt Jayadrathas, des Bezwingers der Feinde, in den Schoß seines Vaters, ohne dessen Wissen—eine unheilvolle Wendung im Krieg, in dem Hochmut und Gewalt zur unausweichlichen Folge heranreifen.

तस्यof him
तस्य:
Sambandha
TypePronoun
Rootतद्
FormMasculine/Neuter, Genitive, Singular
उत्सङ्गेin the lap
उत्सङ्गे:
Adhikarana
TypeNoun
Rootउत्सङ्ग
FormMasculine, Locative, Singular
निपतितम्fallen
निपतितम्:
Karma
TypeVerb
Rootनि-पत्
Formक्त (past passive participle), Neuter, Nominative/Accusative, Singular
शिरःhead
शिरः:
Karta
TypeNoun
Rootशिरस्
FormNeuter, Nominative, Singular
तत्that
तत्:
Visheshana
TypePronoun
Rootतद्
FormNeuter, Nominative, Singular
चारु-कुण्डलम्having beautiful earrings / beautifully ear-ringed
चारु-कुण्डलम्:
Visheshana
TypeAdjective
Rootचारु + कुण्डल
FormNeuter, Nominative, Singular

संजय उवाच

S
Sañjaya
J
Jayadratha
V
Vṛddhakṣatra
H
head (śiraḥ)
E
earrings (kuṇḍala)

Educational Q&A

The verse underscores the moral logic of consequence in war: even a celebrated ‘subduer of enemies’ meets a destined end, and the fruits of violence return with painful immediacy to one’s own lineage—here symbolized by the severed head falling into the father’s lap.

Sañjaya reports that Jayadratha’s severed head, still adorned with earrings, falls into the lap of his father King Vṛddhakṣatra, and the king does not notice it at first. The detail heightens the dramatic and ominous atmosphere surrounding Jayadratha’s death.