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Shloka 5

Ādi Parva, Adhyāya 103 — Dhṛtarāṣṭra–Gāndhārī Vivāha: Proposal, Consent, and the Vow

तत्र राज्ञ: समुदितान्‌ सर्वतः समुपागतान्‌ | ददर्श कन्यास्ताश्नैव भीष्म: शान्तनुनन्दन:,वहाँ शान्तनुनन्दन भीष्मने देखा, सब ओरसे आये हुए राजाओंका समुदाय स्वयंवर- सभामें जुटा हुआ है और वे कन्याएँ भी स्वयंवरमें उपस्थित हैं

tatra rājñaḥ samuditān sarvataḥ samupāgatān | dadarśa kanyās tāś caiva bhīṣmaḥ śāntanunandanaḥ ||

Dort sah Bhīṣma —der Sohn Śāntanus— die Schar der Könige, die aus allen Himmelsrichtungen in der Halle des Svayaṃvara zusammengekommen war, und er erblickte auch die Jungfrauen, die dort anwesend waren.

तत्रthere
तत्र:
Adhikarana
TypeIndeclinable
Rootतत्र
राज्ञःof the king
राज्ञः:
Adhikarana
TypeNoun
Rootराजन्
FormMasculine, Genitive, Singular
समुदितान्assembled, gathered
समुदितान्:
Karma
TypeAdjective
Rootसमुदित
FormMasculine, Accusative, Plural
सर्वतःfrom all sides
सर्वतः:
Adhikarana
TypeIndeclinable
Rootसर्वतः
समुपागतान्come together, arrived
समुपागतान्:
Karma
TypeAdjective
Rootसमुपागत
FormMasculine, Accusative, Plural
ददर्शsaw
ददर्श:
TypeVerb
Rootदृश्
FormPerfect (Liṭ), 3rd, Singular, Parasmaipada
कन्याःmaidens, princesses
कन्याः:
Karma
TypeNoun
Rootकन्या
FormFeminine, Accusative, Plural
ताःthose
ताः:
Karma
TypePronoun
Rootतद्
FormFeminine, Accusative, Plural
and
:
TypeIndeclinable
Root
एवindeed, also
एव:
TypeIndeclinable
Rootएव
भीष्मःBhishma
भीष्मः:
Karta
TypeNoun
Rootभीष्म
FormMasculine, Nominative, Singular
शान्तनुनन्दनःson of Shantanu
शान्तनुनन्दनः:
Karta
TypeNoun
Rootशान्तनुनन्दन
FormMasculine, Nominative, Singular

वैशम्पायन उवाच

B
Bhīṣma
Ś
Śāntanu
K
kings (rājānaḥ)
M
maidens/princesses (kanyāḥ)
S
svayaṃvara assembly/hall (implied)

Educational Q&A

The verse frames a dharmic crossroads: a svayaṃvara is a public institution meant to regulate marriage choice and political alliance under social norms. By highlighting the gathered kings and the maidens, it underscores how personal choice, royal ambition, and kṣatriya honor can collide—setting up later ethical debates about force, consent, and duty.

Vaiśampāyana narrates that Bhīṣma arrives at the svayaṃvara venue and observes the scene: kings from all directions have assembled, and the maidens are present. This establishes the setting immediately before decisive actions connected with the Kāśī princesses’ svayaṃvara.