Vibhaga 1, Adhyaya 74 — ब्रह्मप्रोक्तलिङ्गार्चनविधिः
Materials, Classes, and Fruits of Linga-Worship
मृन्मयं पञ्चमं लिङ्गं द्विधा भिन्नं द्विजोत्तमाः षष्ठं तु क्षणिकं लिङ्गं सप्तधा परिकीर्तितम्
mṛnmayaṃ pañcamaṃ liṅgaṃ dvidhā bhinnaṃ dvijottamāḥ ṣaṣṭhaṃ tu kṣaṇikaṃ liṅgaṃ saptadhā parikīrtitam
O Bester der Zweimalgeborenen, der fünfte ist der aus Ton (Lehm) bestehende Liṅga, als in zwei verschiedene Arten geteilt beschrieben. Der sechste ist der vergängliche (zeitweilige) Liṅga, der als siebenfach verkündet wird.
Suta Goswami (narrating the Linga Purana to the sages at Naimisharanya)
It formalizes a taxonomy of worship-worthy Liṅgas—specifically clay (mṛnmaya) and temporary (kṣaṇika)—showing that even non-permanent forms can be valid supports for devotion to Pati when installed and worshiped according to vidhi.
By allowing Śiva’s worship through both durable and momentary Liṅgas, it implies that Śiva-tattva is not confined to matter: the Liṅga is a pratīka (support) through which the bound soul (paśu) approaches the Lord (Pati) and loosens bondage (pāśa) via disciplined worship.
It points to Liṅga-pūjā in prescribed forms—especially clay and temporary installations—supporting regular sādhana where external worship (bahir-arcana) complements inner Pāśupata orientation toward detachment and purity.