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Shloka 53

Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti

यान्तं तदानीं तु शिलादपुत्रम् आरुह्य नागेन्द्रवृषाश्ववर्यान् देवास्तदानीं गणपाश् च सर्वे गणा ययुः स्वायुधचिह्नहस्ताः

yāntaṃ tadānīṃ tu śilādaputram āruhya nāgendravṛṣāśvavaryān devāstadānīṃ gaṇapāś ca sarve gaṇā yayuḥ svāyudhacihnahastāḥ

Als darauf der Sohn Śilādas (der erhabene Nandin) aufbrach, zogen auch die Devas und alle Gaṇas zur selben Zeit aus—reitend auf den besten Schlangenkönigen, Stieren und Pferden—und ein jeder trug in der Hand die Zeichen seiner eigenen Waffen.

यान्तम्as (he) was going/setting forth
यान्तम्:
तदानीम्at that time
तदानीम्:
तुindeed
तु:
शिलादपुत्रम्the son of Śilāda (Nandin)
शिलादपुत्रम्:
आरुह्यhaving mounted
आरुह्य:
नागेन्द्रking of serpents/serpent-lord
नागेन्द्र:
वृषbull
वृष:
अश्वhorse
अश्व:
वर्यान्the best/excellent ones
वर्यान्:
देवाःthe Devas
देवाः:
तदानीम्at that time
तदानीम्:
गणपाःleaders of the Gaṇas
गणपाः:
and
:
सर्वेall
सर्वे:
गणाःthe Gaṇas/attendant hosts
गणाः:
ययुःwent/proceeded
ययुः:
स्वायुधtheir own weapons
स्वायुध:
चिह्नmarks/insignia/emblems
चिह्न:
हस्ताःhaving (in their) hands
हस्ताः:

Suta Goswami (narrating to the sages of Naimisharanya)

S
Shilada
N
Nandin
D
Devas
G
Ganas

FAQs

It highlights the ordered movement of Śiva’s divine ecosystem—Devas and Gaṇas—around Śiva’s foremost attendant (Nandin). In Linga worship, honoring Nandin and the Gaṇa-host signifies approaching Pati (Śiva) through disciplined devotion and rightful alignment of one’s powers (indriyas) under dharma.

Śiva-tattva is implied through sovereignty and cohesion: the Devas and Gaṇas move as a unified retinue, bearing weapon-insignia as expressions of delegated śakti. This reflects Pati as the supreme regulator who harmonizes diverse forces without bondage (pāśa), while the hosts remain instruments of cosmic order.

The verse points to Gaṇa-śaraṇa (seeking refuge in Śiva’s retinue) and Nandin-upāsanā as supportive limbs of Śaiva practice—cultivating discipline, protection of the sādhaka, and readiness for Pāśupata-oriented worship where the self (paśu) turns from bonds (pāśa) toward the Lord (pati).