Adhyaya 71: पुरत्रयवृत्तान्तः—ब्रह्मवरदानम्, मयकृतत्रिपुर-निर्माणम्, विष्णुमाया-धर्मविघ्नः, शिवस्तुति, त्रिपुरदाहोपक्रमः
महादेवमनिर्देश्यं सर्वज्ञं त्वामनामयम् विश्वरूपं विरूपाक्षं सदाशिवम् अनामयम्
mahādevamanirdeśyaṃ sarvajñaṃ tvāmanāmayam viśvarūpaṃ virūpākṣaṃ sadāśivam anāmayam
Du bist Mahādeva—unaussprechlich, allwissend und frei von allem Leid. Du bist die kosmische Gestalt, der Dreiäugige jenseits gewöhnlichen Sehens, Sadāśiva selbst—ewig rein, unberührt von Krankheit und Kummer.
Suta Goswami (narrating a hymn of praise within the Purva-Bhaga narrative)
It frames Linga-upasana as worship of the indescribable Pati (Sadashiva) who pervades the cosmos (viśvarūpa) yet remains untouched by defect—guiding the devotee to meditate on Shiva beyond mere form.
Shiva is presented as anirdeśya (beyond conceptual grasp), sarvajña (omniscient), and anāmaya (untainted by suffering), revealing the Siddhanta view of the Pati as eternally pure consciousness who governs pashu and dissolves pasha.
Dhyana and stuti: the yogic contemplation of Virupaksha and Sadashiva—using divine names to steady the mind and orient the pashu (soul) toward liberation from pasha (bondage) through devotion to the Pati.