Jarāsandha’s Siege of Mathurā, Kṛṣṇa-Balarāma’s Victory, and the Founding of Dvārakā amid Kālayavana’s Threat
शङ्खदुन्दुभयो नेदुर्भेरीतूर्याण्यनेकश: । वीणावेणुमृदङ्गानि पुरं प्रविशति प्रभौ ॥ ३७ ॥ सिक्तमार्गां हृष्टजनां पताकाभिरभ्यलङ्कृताम् । निर्घुष्टां ब्रह्मघोषेण कौतुकाबद्धतोरणाम् ॥ ३८ ॥
śaṅkha-dundubhayo nedur bherī-tūryāṇy anekaśaḥ vīṇā-veṇu-mṛdaṅgāni puraṁ praviśati prabhau
Als der Herr in Seine Stadt einzog, ertönten Muschelhörner und Dundubhi-Pauken; bhērī und tūrya, viele Trommeln, vīṇā, Flöte und mṛdaṅga erklangen im Einklang. Die Straßen waren mit Wasser besprengt, überall wehten Fahnen, und die Tore waren mit festlichen Toranas geschmückt; die Bürger jubelten, und die Stadt widerhallte vom Brahma-ghoṣa vedischer Hymnen.
This verse depicts Krishna’s entrance being welcomed with auspicious sounds—conches, drums, trumpets, and instruments—showing the city’s devotional joy and reverence for the Lord.
They signify auspiciousness, victory, and public celebration; the Bhagavatam uses these sounds to portray collective devotion and the festive reception of the Supreme Lord.
Welcome the Lord into daily life through devotional sound—kīrtana, prayer, and sacred music—transforming ordinary moments into offerings of joy and remembrance.