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Varaha Purana 6.4 — Adhyaya 6, Shloka 4

The Puṇḍarīkākṣapāraka Hymn and Puṣkara Tīrtha: The Account of King Vasu’s Release from Sin

ततः कालेन महता तस्य राज्ञो मतिः किल । निवृत्तराज्यभोगस्य द्वन्द्वस्यान्तमुपेयुषी ॥ ६.४ ॥

tataḥ kālena mahatā tasya rājño matiḥ kila | nivṛttarājyabhogasya dvandvasyāntam upeyuṣī || 6.4 ||

তারপর দীর্ঘ সময় অতিবাহিত হলে সেই রাজার বুদ্ধি রাজ্যভোগ থেকে নিবৃত্ত হল এবং সে সংসারের দ্বন্দ্বের অন্তে উপনীত হল।

ततःthen, thereafter
ततः:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; काल/अनन्तर्य-बोधक (thereafter)
कालेनby time
कालेन:
Karana (करण)
TypeNoun
Rootकाल (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), एकवचन
महताgreat, long
महता:
Visheshana (विशेषण)
TypeAdjective
Rootमहत् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), एकवचन; विशेषण (कालेन-विशेषण)
तस्यof him
तस्य:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), एकवचन; सम्बन्ध
राज्ञःof the king
राज्ञः:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), एकवचन
मतिःmind, intention
मतिः:
Karta (कर्ता)
TypeNoun
Rootमति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन
किलindeed, it is said
किल:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootकिल (अव्यय)
Formनिपात-अव्यय (particle; hearsay/emphasis)
निवृत्तराज्यभोगस्यof one who had withdrawn from enjoyment of kingship
निवृत्तराज्यभोगस्य:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootनिवृत्त + राज्य + भोग (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), एकवचन; तत्पुरुषः (राज्यभोगात् निवृत्तः)
द्वन्द्वस्यof dualities (pairs of opposites)
द्वन्द्वस्य:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootद्वन्द्व (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), एकवचन
अन्तम्end, cessation
अन्तम्:
Karma (कर्म)
TypeNoun
Rootअन्त (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन
उपेयुषीhaving reached/attained
उपेयुषी:
Karta (कर्ता)
TypeVerb
Rootउप + इ (धातु)
Formक्तवतु-सम्भव-पर्याय (Perfect participle/कृत्), स्त्रीलिङ्ग, प्रथमा (1st), एकवचन; ‘उप-इ’ धातोः लिट्-भावार्थक-भूतकृदन्त (having reached)

Varāha (default framework; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"Even a successful ruler should cultivate vairāgya; when insight matures, he should disengage from royal enjoyments and seek freedom from worldly dualities.","karmic_consequence":"Detachment reduces bondage and leads toward liberation; clinging to bhoga perpetuates saṃsāric oscillation (dvandva) and suffering."}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Sāṃkhya/Vedānta-flavored psychology","core_concept":"Dvandvas (pleasure/pain, gain/loss, honor/dishonor) bind; wisdom culminates in transcendence of these pairs.","practical_application":"Practice equanimity, reduce sense-gratification, and reframe identity from role/status to inner self aligned with the supreme."}

Subject Matter: ["Ethics","Kingship","Renunciation","Philosophical Psychology"]

Primary Rasa: Śānta

Secondary Rasa: Vairāgya

Type: psychological/ethical transition

Related Themes: Narrative continuation into succession and forest-life (next verse)

Visual Art Cues: {"scene_description":"A king in his palace, surrounded by symbols of luxury, yet turning inward with a detached gaze—worldly splendor fading in significance.","item_prompts":["crown set aside","empty throne or king stepping away","fading courtly musicians/attendants","soft light on contemplative face","contrast of opulence vs simplicity"],"kerala_mural_prompt":"Kerala mural: stylized palace interior; king’s posture shifts away from ornaments; muted palette around luxuries, brighter aura around the renunciant mood.","tanjore_prompt":"Tanjore: opulent court rendered in gold, but the king’s renunciation signaled by removing crown and a calm, luminous face; gold used sparingly on the king to show detachment.","mysore_prompt":"Mysore: nuanced expression and gentle chiaroscuro; emphasize psychological turning point; ornaments placed aside with careful detail.","pahari_prompt":"Pahari: poetic interior scene; the king near a window looking toward distant forested hills, suggesting the call of nivṛtti."}

Audio Atmosphere: {"recitation_mood":"reflective, grave","suggested_raga":"Bhairav","pace":"slow","voice_tone":"low, measured, introspective"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaishnavism
D
Dharma and Ethics

FAQs

It reflects a common Purāṇic ethical motif: a ruler’s gradual shift from political enjoyment toward detachment, aligning kingship narratives with broader dharma and soteriological themes in Sanskrit literature.

No geographic location is named in this verse fragment; it focuses on an internal change in the king’s disposition rather than sacred geography.

The verse foregrounds the philosophical instruction of detachment: withdrawing from the pleasures of power and moving beyond dvandvas (pairs of opposites such as pleasure/pain), presented as a maturation of understanding over time.

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