पलाशफलन्यग्रोधप्लक्षाश्वत्थविकंकताः । औदुम्बरस्तथा बिल्वं चंदनं यज्ञियाश्च ये
palāśaphalanyagrodhaplakṣāśvatthavikaṃkatāḥ | audumbarastathā bilvaṃ caṃdanaṃ yajñiyāśca ye
পলাশ, ফলবৃক্ষ, ন্যগ্রোধ, প্লক্ষ, অশ্বত্থ, বিকঙ্কত, ঔদুম্বর, বিল্ব, চন্দন এবং যজ্ঞোপযোগী অন্যান্য কাষ্ঠ—এসবই আচার্যে প্রশংসিত।
Skanda (deduced from Prabhāsa-kṣetra-māhātmya narrative style)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Scene: A ritual workshop scene: artisans and priests selecting logs/leaves from named trees; each tree shown with distinctive leaves—palāśa trifoliate, banyan (nyagrodha) aerial roots, aśvattha heart-shaped leaves, bilva trifoliate, sandalwood paste—arranged like a sacred inventory.
Nature is integrated into dharma: certain trees are treated as ‘yajñiya’ and therefore appropriate supports for sacred action.
Prabhāsa-kṣetra, within whose māhātmya the correct selection of ritual woods is taught.
A catalog of woods/trees is given as suitable for sacred use (yajñiya), forming a guideline for selecting ritual materials.