ब्रह्महत्या सुरापानं स्तेयं गुर्वंगनागमः । उत्कल्लनं मनःपापं शोधयेद्विष्णु जागरः
brahmahatyā surāpānaṃ steyaṃ gurvaṃganāgamaḥ | utkallanaṃ manaḥpāpaṃ śodhayedviṣṇu jāgaraḥ
ব্রাহ্মণহত্যা, সুরাপান, চৌর্য, গুরুপত্নীগমন, হিংসাত্মক অপরাধ ও মনের পাপ—বিষ্ণুর জাগরণে এ সবই শুদ্ধ হয়।
Skanda (deduced from Dvārakā Māhātmya didactic style within Skanda Purāṇa)
Tirtha: Dvārakā (Hari-kṣetra)
Type: kshetra
Listener: Rājā (addressed as rājann)
Scene: Night-time vigil in Dvārakā: devotees seated with lamps, conch and cymbals, singing Hari’s names; a central Viṣṇu/Kṛṣṇa icon; the atmosphere conveys purification from heavy sins.
Devotional observance centered on Viṣṇu is framed as a powerful purifier, even for grave moral transgressions.
Dvārakā is the implied sacred setting, as this is within the Dvārakā Māhātmya.
Viṣṇu-jāgaraṇa (night-long vigil for Viṣṇu) as a prāyaścitta-like purificatory act.