या गतिर्मातृभक्तानां द्वादशीं वेधवर्जिताम् । कुर्वतां जागरं विष्णोर्नृत्यतां गायतां फलम्
yā gatirmātṛbhaktānāṃ dvādaśīṃ vedhavarjitām | kurvatāṃ jāgaraṃ viṣṇornṛtyatāṃ gāyatāṃ phalam
মাতৃভক্তদের যে পরম গতি, আর অবেধ (শুদ্ধ) দ্বাদশীতে বিষ্ণুর জন্য জাগরণ করে নৃত্য-গীত করা ভক্তদের যে ফল—সেই ফলই লাভ হয়।
Skanda (deduced from Prabhāsa Khaṇḍa māhātmya narration style)
Tirtha: Dvārakā
Type: kshetra
Listener: King (rājā) addressed as ‘mahīpāla’ in the surrounding verses
Scene: A night-long vigil in Dvārakā: devotees before Viṣṇu/Kṛṣṇa’s shrine, lamps blazing, conch and cymbals, groups singing and dancing; elders blessing, a mother honored in the foreground to echo mātṛbhakti.
Devotional vigil on properly observed Dvādaśī—expressed through song and dance—yields exalted spiritual attainment.
Dvārakā is the contextual kṣetra; the verse highlights Viṣṇu-worship practices commonly performed in such sacred spaces.
Keeping Viṣṇu-jāgara on vedha-varjita Dvādaśī, with devotional singing and dancing.