जिह्वासहस्रैरपि च ब्रह्मणापि न वार्यते । महामन्त्रो ह्ययं लोके जप्यो ध्यातः स्तुतस्तथा
jihvāsahasrairapi ca brahmaṇāpi na vāryate | mahāmantro hyayaṃ loke japyo dhyātaḥ stutastathā
সহস্র জিহ্বা দিয়েও—এমনকি ব্রহ্মার দ্বারাও—এর স্তব শেষ করা যায় না। এ জগতে এটি মহামন্ত্র; জপ্য, ধ্যানযোগ্য ও স্তোত্রযোগ্য।
Skanda (deduced from Nāgarakhaṇḍa Tīrthamāhātmya narrative style)
Scene: Cosmic scene: Brahmā with four faces attempting to praise a radiant mantra-lotus, while countless tongues/sound-waves emanate; below, a devotee chants, meditates, and sings before Viṣṇu’s emblematic conch-discus-mace-lotus.
A sacred mantra is approached through three complementary practices—japa, dhyāna, and stuti—and its glory is portrayed as limitless.
No single tīrtha is named in this verse; it functions as doctrinal praise within the broader tīrtha-māhātmya framework.
The verse prescribes mantra engagement through repetition (japa), meditation (dhyāna), and devotional praise (stuti).
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