आदौ पादतलं रेखास्ततोंगुष्ठांगुली नखाः । पृष्ठगुल्फद्वयं पार्ष्णी जंघे रोमाणि जानुनी
ādau pādatalaṃ rekhāstatoṃguṣṭhāṃgulī nakhāḥ | pṛṣṭhagulphadvayaṃ pārṣṇī jaṃghe romāṇi jānunī
প্রথমে পায়ের তলা ও তার রেখা; তারপর বৃদ্ধাঙ্গুলি, অন্যান্য আঙুল ও নখ; তারপর পায়ের পৃষ্ঠ, দুই গুল্ফ (গোড়ালি-সংযোগ), গোড়ালি, পিণ্ডলি, তদস্থ রোম এবং হাঁটু।
Skanda
Listener: Muni/ṛṣi
Scene: A didactic ‘lower-limb’ focus: soles with line patterns, toes and nails, ankles and heel, calves with hair, and knees—presented as a sequential anatomical scroll beside the teacher.
Attention to detail and orderly observation is presented as a traditional method for discerning qualities (lakṣaṇas) in Dharma-oriented literature.
Kāśī is the overarching sacred setting of the Kāśīkhaṇḍa, but this verse is a procedural list rather than a tīrtha-praise passage.
None; it enumerates body parts to be examined in sequence.