Maṇḍala–Pūjā–Homa Krama
Maṇḍala Worship and Homa Sequence for the Disciple
महेश्वरं तथोत्सृज्य कृत्वान्यां च कलामिमाम् । शांत्यतीतां कलां नीत्वा तद्व्याप्तिमवलोकयेत्
maheśvaraṃ tathotsṛjya kṛtvānyāṃ ca kalāmimām | śāṃtyatītāṃ kalāṃ nītvā tadvyāptimavalokayet
মহেশ্বরকে বিষয়রূপে পরিত্যাগ করে এই অন্য ধ্যান-কলার সাধন কর। তারপর ‘শান্তি’ স্তর অতিক্রম করে অতীত-কলায় চেতনাকে নিয়ে গিয়ে তাঁর সর্বব্যাপী ব্যাপ্তি দর্শন কর।
Suta Goswami (narrating the Vāyavīya teachings to the sages at Naimiṣāraṇya)
Tattva Level: pati
Shiva Form: Sadāśiva
Role: teaching
It points to a higher Shaiva contemplation where even the refined concept of “Lord as an object” is relinquished, and awareness is led beyond tranquil absorption into recognition of Shiva’s all-pervasive reality (vyāpti), supporting liberation through direct insight.
It implies a progression: Saguna supports (like Linga worship and form-based devotion) stabilize the mind, but the seeker is then guided beyond form-concepts toward the subtler recognition of Shiva as the omnipresent Pati, not limited to any single object.
A meditative practice of inner withdrawal and refinement of contemplation: moving from object-focused dhyāna on Maheśvara to subtler, non-objectifying awareness, culminating in perceiving Shiva’s pervasion everywhere; this pairs well with japa of the Panchākṣarī and steady breath-mind discipline.