गजासुरतपः–देवलोकक्षोभः
Gajāsura’s Austerities and the Disturbance of the Worlds
तस्मिन्महेन्द्रस्य गृहे महाबलो महामना निर्जितलोक एकराट् । रेमेऽभिवंद्यांघ्रियुगः सुरादिभिः प्रतापितैरूर्जितचंडशासनः
tasminmahendrasya gṛhe mahābalo mahāmanā nirjitaloka ekarāṭ | reme'bhivaṃdyāṃghriyugaḥ surādibhiḥ pratāpitairūrjitacaṃḍaśāsanaḥ
সেই মহেন্দ্র (ইন্দ্র)-গৃহে মহাবলী, মহানচিত্ত, জগৎজয়ী একচ্ছত্র সম্রাট সুখে বিহার করতেন; দেবতা প্রভৃতি তাঁর প্রতাপে দমিত হয়ে তাঁর চরণযুগল বন্দনা করত, কারণ তাঁর শাসন ছিল প্রবল ও কঠোর।
Sūta Gosvāmī
Tattva Level: pasha
It highlights the peak of worldly power—being honored even by the Devas—yet implies that such dominance is temporal; Shaiva thought places lasting refuge in devotion to Pati (Śiva), not in ekarāṭ-style sovereignty.
By portraying Devas bowing at a ruler’s feet, the text implicitly contrasts worldly reverence with the highest worship directed to Saguna Śiva in the Liṅga, where surrender is offered for purification and grace rather than fear of authority.
The practical takeaway is to redirect the impulse of “bowing” toward Śiva: daily Liṅga-pūjā with the Pañcākṣarī (Om Namaḥ Śivāya), along with Tripuṇḍra (bhasma) and Rudrākṣa as reminders that true lordship is Śiva’s and liberation is His grace.