Shloka 150
Viśokā Dvādaśī Vow, Guḍa-Dhenū (Jaggery-Cow) Gift, and Śaila-Dāna (Mountain-Charity) Rites
स याति परमं ब्रह्म लोकमानंदकारकम् । तत्र कल्पशतं तिष्ठेत्ततो याति परां गतिम्
sa yāti paramaṃ brahma lokamānaṃdakārakam | tatra kalpaśataṃ tiṣṭhettato yāti parāṃ gatim
সে পরম ব্রহ্মলোক—আনন্দদায়ক ধাম—লাভ করে। সেখানে শত কল্প অবস্থান করে, পরে সর্বোচ্চ গতি প্রাপ্ত হয়।
Unknown (context not provided for Adhyaya 21 dialogue frame)
Concept: Merit and right observance can elevate one to Brahmaloka for immense spans, yet the ultimate aim is the highest state beyond even long celestial residence.
Application: Treat spiritual practice as aiming beyond temporary rewards; cultivate steady devotion and ethical giving with the intention of final liberation rather than prestige or pleasure.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A vast, serene cosmic lotus-city floats in a sky of subtle radiance, with luminous mansions and calm sages seated in meditation. A soul-figure, purified and gentle, is guided upward by divine attendants toward a distant, even higher light beyond Brahmaloka, suggesting the final parā gati.","primary_figures":["Radiant liberated aspirant (jīva)","Brahmā (as distant presiding presence)","Divine attendants (vaimānika/apsara-gandharva silhouettes)"],"setting":"Celestial realm above the worlds, lotus-like architecture, airy terraces, quiet meditation groves made of light","lighting_mood":"divine radiance","color_palette":["pearl white","lotus pink","pale gold","sky sapphire","mist silver"],"tanjore_prompt":"Tanjore painting style: Brahmaloka as a grand lotus-palace with Brahmā enthroned in the background, the aspirant offered a path of light leading upward; heavy gold leaf halos, ornate pillars, rich crimson and emerald accents, gem-studded crowns, sacred geometry borders, serene faces and symmetrical composition.","pahari_prompt":"Pahari miniature style: a lyrical celestial landscape with floating lotus-terraces, delicate clouds, tiny meditating figures, and a soft path of light ascending beyond the frame; cool blues and mauves, refined facial features, fine linework, gentle gradients, poetic emptiness suggesting transcendence.","kerala_mural_prompt":"Kerala mural style: bold outlined Brahmaloka tableau with stylized lotus architecture, Brahmā with four faces as a calm presiding icon, the aspirant moving toward a higher luminous mandala; natural pigment reds/yellows/greens, large expressive eyes, temple-wall compositional balance.","pichwai_prompt":"Pichwai cloth painting style: cosmic lotus motifs filling the border, a central radiant mandala representing Brahmaloka, and an upward stream of light toward parā gati; intricate floral borders, deep indigo background with gold highlights, peacocks and lotuses as auspicious symbols (Krishna not central but Vaishnava aura maintained)."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft temple bells","long silence between phrases","tanpura drone","distant conch shell"]}
Sandhi Resolution Notes: लोकमानंदकारकम् = लोकम् + आनन्दकारकम्; तिष्ठेत्ततः = तिष्ठेत् + ततः
FAQs
It describes Brahma-loka as a bliss-bestowing realm attained first, where one abides for a vast period (hundred kalpas), and then progresses onward to the highest goal (parā gati), implying a staged spiritual ascent.
It suggests both: Brahma-loka is an exalted but time-bound attainment (staying for hundred kalpas), followed by movement to the ultimate state, which is portrayed as the final, highest destination.
The implied lesson is that righteous/spiritual practice yields elevated states of existence, but the text values the highest realization beyond even the finest realms—encouraging aspiration toward the supreme goal rather than settling for intermediate rewards.