Shloka 9
Vows of Hari and the Hundred Names of Suputra (Viṣṇu/Kṛṣṇa): Ritual Metadata and Fruits of Japa
सर्वकामिकसंसिद्ध्यै मोक्षे च विनियोगकः । अस्य विष्णोः शतनामस्तोत्रस्य । ब्रह्मा ऋषिः विष्णुर्देवता अनुष्टुप्छंदः । सर्वकामसमृद्ध्यर्थं सर्वपापक्षयार्थे विनियोगः
sarvakāmikasaṃsiddhyai mokṣe ca viniyogakaḥ | asya viṣṇoḥ śatanāmastotrasya | brahmā ṛṣiḥ viṣṇurdevatā anuṣṭupchaṃdaḥ | sarvakāmasamṛddhyarthaṃ sarvapāpakṣayārthe viniyogaḥ
এই স্তোত্র সকল কামনার সিদ্ধি এবং মোক্ষের জন্য বিনিয়োগযোগ্য। এই বিষ্ণু-শতনাম-স্তোত্রের ঋষি ব্রহ্মা, দেবতা বিষ্ণু, ছন্দ অনুষ্টুপ। এর প্রয়োগ সকল কামনার সমৃদ্ধি ও সকল পাপক্ষয়ের জন্য।
Narratorial/ritual rubric (viniyoga statement introducing the stotra)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Sandhi Resolution Notes: सर्वकामिकसंसिद्ध्यै = सर्वकामिक + संसिद्ध्यै; विष्णुर्देवता = विष्णुः + देवता; अनुष्टुप्छंदः = अनुष्टुप् + छन्दः.
FAQs
A viniyoga is a traditional rubric that states how a hymn is to be applied—typically naming its purpose (phala), the seer (ṛṣi), the deity (devatā), and the meter (chandas) to frame recitation and intent.
The verse specifies: Brahmā as the ṛṣi (seer), Viṣṇu as the devatā (presiding deity), and Anuṣṭubh as the chandas (meter).
It associates the recitation with prosperity/fulfillment of all desires (sarvakāma-samṛddhi), the destruction of all sins (sarvapāpa-kṣaya), and also liberation (mokṣa).