Shloka 54
Mohinī-ākhyāna: The Trial of Ekādaśī and the King’s Satya-saṅkalpa
यः कर्त्ता सुकृतं भूरि रक्ताशोकाकृतिः स्थितः । ध्वजांकुशांकितः श्रीमान्दक्षिणः कनकांगदः ॥ ५४ ॥
yaḥ karttā sukṛtaṃ bhūri raktāśokākṛtiḥ sthitaḥ | dhvajāṃkuśāṃkitaḥ śrīmāndakṣiṇaḥ kanakāṃgadaḥ || 54 ||
যিনি অগাধ পুণ্যকর্মের কর্তা, তিনি সেখানে রক্ত অশোকবৃক্ষের ন্যায় রূপে স্থিত। ধ্বজ ও অঙ্কুশ-চিহ্নে অঙ্কিত, শ্রীময় ও মঙ্গলময়—তিনি স্বর্ণাঙ্গদ-ভূষিত ‘দক্ষিণ’।
Narada (within a Tirtha-Mahatmya narration of Uttara-Bhaga)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
FAQs
The verse praises a personification/figure named Dakṣiṇa as one who embodies abundant sukṛta (spiritual merit), emphasizing that righteous acts (puṇya-karma) manifest as auspicious splendor and sacred marks.
While not explicitly teaching bhakti practices, it supports the bhakti-dharma worldview of the Narada Purana: sustained good deeds and sacred observances at tirthas cultivate śrī (auspicious grace), which is foundational for devotional life.
The verse chiefly uses lakṣaṇa-style description (identifying marks and forms), aligning more with Purāṇic iconographic convention than a specific Vedāṅga; it illustrates how traditional signs (aṅka/cihna) are used to identify sacred figures.