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Agni Purana — Mantra-shastra, Shloka 1

Chapter 312 — Various Mantras (नानामन्त्राः)

इत्य् आग्नेये महापुराणे त्वरिताविद्या नामैकादशाधिकत्रिशततमो ऽध्यायः अथ द्वादशाधिकत्रिशततमो ऽध्यायः नानामन्त्राः अग्निर् उवाच ॐ विनायकार्चनं वक्ष्ये यजेदाधारशक्तिकम् धर्माद्यष्टककन्दञ्च नालं पद्मञ्च कर्णिकाम्

ity āgneye mahāpurāṇe tvaritāvidyā nāmaikādaśādhikatriśatatamo 'dhyāyaḥ atha dvādaśādhikatriśatatamo 'dhyāyaḥ nānāmantrāḥ agnir uvāca oṃ vināyakārcanaṃ vakṣye yajedādhāraśaktikam dharmādyaṣṭakakandañca nālaṃ padmañca karṇikām

এইভাবে অগ্নি-মহাপুরাণে ‘ত্বরিতাবিদ্যা’ নামক ৩১১তম অধ্যায় সমাপ্ত। এখন ৩১২তম অধ্যায় ‘নানামন্ত্র’ আরম্ভ। অগ্নি বললেন—“ওঁ, আমি বিনায়কের অর্চনা বলছি। আধারশক্তি থেকে শুরু করে ধর্মাদি অষ্টক, এবং কন্দ, নাল, পদ্ম ও কর্ণিকা—সবই পূজা করবে।”

itithus
iti:
Sambandha (सम्बन्ध/quotative marker)
TypeIndeclinable
Rootiti (अव्यय)
FormAvyaya (अव्यय), quotation/closure particle (इति-प्रयोग)
āgneyein the Agneya
āgneye:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootāgneya (प्रातिपदिक)
FormNeuter, Locative (7th/सप्तमी), Singular; adjective used with 'mahāpurāṇe'
mahāpurāṇein the Mahāpurāṇa
mahāpurāṇe:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootmahāpurāṇa (प्रातिपदिक: mahā+purāṇa)
FormNeuter, Locative (7th/सप्तमी), Singular
tvaritāvidyā(the) Tvaritā-vidyā
tvaritāvidyā:
Karta (कर्ता)
TypeNoun
Roottvaritāvidyā (प्रातिपदिक: tvaritā+vidyā)
FormFeminine, Nominative (1st/प्रथमा), Singular; chapter-title term
nāmanamed
nāma:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootnāma (अव्यय/निपात)
FormAvyaya (अव्यय), name-indicator particle (नाम)
ekādaśādhikatriśatatamaḥthree-hundred-and-eleventh
ekādaśādhikatriśatatamaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootekādaśa+adhika+triśata+tama (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular; ordinal adjective qualifying 'adhyāyaḥ'
adhyāyaḥchapter
adhyāyaḥ:
Karta (कर्ता)
TypeNoun
Rootadhyāya (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
athathen/now
atha:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootatha (अव्यय)
FormAvyaya (अव्यय), discourse connector (अथ)
dvādaśādhikatriśatatamaḥthree-hundred-and-twelfth
dvādaśādhikatriśatatamaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootdvādaśa+adhika+triśata+tama (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular; ordinal adjective qualifying 'adhyāyaḥ'
adhyāyaḥchapter
adhyāyaḥ:
Karta (कर्ता)
TypeNoun
Rootadhyāya (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
nānāmantrāḥvarious mantras
nānāmantrāḥ:
Karta (कर्ता)
TypeNoun
Rootnānā+mantra (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural
agniḥAgni
agniḥ:
Karta (कर्ता)
TypeNoun
Rootagni (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
uvācasaid
uvāca:
Kriyā (क्रिया)
TypeVerb
Rootvac (धातु)
FormPerfect (लिट्), 3rd person (प्रथमपुरुष), Singular (एकवचन)
oṃOṃ
oṃ:
Sambandha (सम्बन्ध/utterance marker)
TypeIndeclinable
Rootoṃ (अव्यय/प्रणव)
FormAvyaya (अव्यय), sacred syllable (प्रणव)
vināyakārcanamworship of Vināyaka
vināyakārcanam:
Karma (कर्म)
TypeNoun
Rootvināyaka+arcana (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
vakṣyeI shall explain
vakṣye:
Kriyā (क्रिया)
TypeVerb
Rootvac (धातु)
FormFuture (लृट्), 1st person (उत्तमपुरुष), Singular (एकवचन)
yajetone should worship
yajet:
Kriyā (क्रिया)
TypeVerb
Rootyaj (धातु)
FormOptative/vidhi-lin (विधिलिङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन)
ādhāraśaktikamhaving/supporting the (ādhāra-)śakti
ādhāraśaktikam:
Karma (कर्म)
TypeAdjective
Rootādhāra+śakti+ka (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular; adjective qualifying an implied object (e.g., maṇḍala/yantra/nyāsa)
dharmādyaṣṭakakandamthe bulb/center with the octad beginning with Dharma
dharmādyaṣṭakakandam:
Karma (कर्म)
TypeNoun
Rootdharma+ādi+aṣṭaka+kanda (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya (अव्यय), conjunction (समुच्चय)
nālamthe stalk
nālam:
Karma (कर्म)
TypeNoun
Rootnāla (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
padmamthe lotus
padmam:
Karma (कर्म)
TypeNoun
Rootpadma (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya (अव्यय), conjunction (समुच्चय)
karṇikāmthe pericarp (of the lotus)
karṇikām:
Karma (कर्म)
TypeNoun
Rootkarṇikā (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Singular

Lord Agni

Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Tantra","practical_application":"Vinayaka-puja setup with bhuta-shuddhi/adhara-shakti and padma-nyasa (lotus-seat visualization) before mantra-japa and offerings.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Vinayaka-archana: Ādhāraśakti to Padma-karṇikā Nyāsa","lookup_keywords":["Vinayaka-archana","Ādhāraśakti","Dharma-ādi aṣṭaka","padma-nyāsa","karṇikā"],"quick_summary":"Begin Vinayaka worship by establishing Ādhāraśakti and the Dharma-ādi eightfold principles, then construct the inner lotus-seat (kanda–nāla–padma–karṇikā) as the ritual/meditative support for invocation."}

Concept: Ritual cosmologization: establishing supports (śakti, dharma-tattvas) and lotus-seat as the microcosmic basis for deity presence.

Application: Use stepwise nyāsa/visualization to stabilize attention and sanctify the worship-space before mantra and offerings.

Khanda Section: Puja-vidhi / Mantra-shastra (Vinayaka-archana; Nānāmantrāḥ)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A ritual diagram: the worshipper establishes Ādhāraśakti below, then the Dharma-ādi eightfold circle, and in the center constructs a lotus with bulb, stalk, petals, and pericarp as Gaṇeśa’s seat.","kerala_mural_prompt":"Kerala temple mural style, flat warm palette, priest performing Vinayaka-archana before a stylized yantra-lotus; concentric circles labeled Dharma-ādi; central padma with karṇikā glowing; traditional lamps and temple interior.","tanjore_prompt":"Tanjore painting, gold-leaf highlights on the central lotus and karṇikā; Vinayaka invoked above the padma-seat; ornate arch, rich reds and greens, ritual vessels and flowers in foreground.","mysore_prompt":"Mysore painting, clean linework instructional composition: labeled parts kanda, nāla, padma, karṇikā; priest in profile doing nyāsa; soft pastel background, precise geometry.","mughal_miniature_prompt":"Mughal miniature, detailed courtly atelier look: a learned priest draws a lotus-maṇḍala on a low wooden board; fine calligraphy labels; subtle shading, textiles, incense smoke."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: ity āgneye → iti āgneye; triśatatamo 'dhyāyaḥ → triśatatamaḥ adhyāyaḥ; agnir uvāca → agniḥ uvāca; yajedādhāraśaktikam → yajet ādhāraśaktikam; dharmādyaṣṭakakandañca → dharma-ādi-aṣṭaka-kandaṃ ca; padmañca → padmaṃ ca.

Related Themes: Agni Purana Puja-vidhi sections on nyāsa, āvāhana, and maṇḍala construction (nearby chapters in the 300+ range); Agni Purana chapters on Tvaritā-vidyā (preceding 311) for tantric sequencing

A
Agni
V
Vinayaka (Ganesha)
O
Oṃ
Ā
Ādhāra-śakti
D
Dharma (as part of Dharmādi-aṣṭaka)

FAQs

It introduces Vināyaka (Gaṇeśa) worship and specifies a tantric-style worship sequence: starting from Ādhāra-śakti, proceeding through the Dharmādi-aṣṭaka, and visualizing the lotus-seat structure (bulb, stalk, lotus, pericarp).

It shifts from one vidyā (Tvaritā-vidyā) into a new chapter on “various mantras,” cataloging practical ritual components—deity worship order, abstract principles (Dharmādi group), and mandala/lotus visualization—showing the text’s compendium-like coverage of mantra and pūjā technology.

Beginning rites with Vināyaka and the foundational Ādhāra-śakti is traditionally meant to remove obstacles, stabilize the ritual field, and make subsequent worship effective—thereby supporting purity of intention and successful completion of religious acts.