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Agni Purana — Mantra-shastra, Shloka 5

Tvaritā-mūla-mantra and Related Details

Dīkṣā, Maṇḍala, Nyāsa, Japa, Homa, Siddhi, Mokṣa

मध्यकोष्ठं भवेत्पद्मं पीतकर्णिकमुज्ज्वलम् कृष्णेन रजसा लिख्य कुलिशासिशितोर्धता

madhyakoṣṭhaṃ bhavetpadmaṃ pītakarṇikamujjvalam kṛṣṇena rajasā likhya kuliśāsiśitordhatā

মধ্য কোষ্ঠে পীত কর্ণিকাযুক্ত উজ্জ্বল পদ্ম থাকবে। তা কালো রজ/চূর্ণ দিয়ে অঙ্কিত করতে হবে, এবং রেখাগুলি বজ্র বা তরবারির ধারার মতো তীক্ষ্ণ ও উঁচু করে তুলতে হবে।

मध्य-कोष्ठम्the central cell
मध्य-कोष्ठम्:
Karta (कर्ता)
TypeNoun
Rootमध्य-कोष्ठ (प्रातिपदिक; मध्य + कोष्ठ)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः—कर्मधारयः (मध्यं कोष्ठम्)
भवेत्should be
भवेत्:
Kriya (क्रिया)
TypeVerb
Rootभू (धातु)
Formविधिलिङ्, प्रथमपुरुष, एकवचन
पद्मम्a lotus
पद्मम्:
Karma (कर्म)/Predicative
TypeNoun
Rootपद्म (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विधेय-नाम
पीत-करणिकम्having a yellow pericarp
पीत-करणिकम्:
Visheshana (विशेषण)
TypeAdjective
Rootपीत-करणिका (प्रातिपदिक; पीत + करṇिका)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः—कर्मधारयः (पीता करṇिका यस्य)
उज्ज्वलम्bright
उज्ज्वलम्:
Visheshana (विशेषण)
TypeAdjective
Rootउज्ज्वल (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषणम्
कृष्णेनwith black
कृष्णेन:
Karana (करण)
TypeAdjective
Rootकृष्ण (प्रातिपदिक)
Formनपुंसकलिङ्ग/पुंलिङ्ग, तृतीया (Instrumental), एकवचन; विशेषणम् (रजसः)
रजसाwith dust/powder (pigment)
रजसा:
Karana (करण)
TypeNoun
Rootरजस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया, एकवचन
लिख्यhaving drawn
लिख्य:
Purvakala (पूर्वकाल)
TypeVerb
Rootलिख् (धातु)
Formक्त्वा-प्रत्ययान्त अव्ययभाव (gerund) ‘लिख्य’ = having drawn/written
कुलिश-असि-शित-ऊर्धताthe upward (mark) sharpened like a vajra-sword
कुलिश-असि-शित-ऊर्धता:
Karta (कर्ता)/Vidhi
TypeNoun
Rootकुलिश-असि-शित-ऊर्धता (प्रातिपदिक; कुलिश + असि + शित + ऊर्धता)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; समासः—बहुपद-तत्पुरुषः (कुलिशस्य असिः; तेन शितः; तस्य ऊर्धता)

Lord Agni (instructing sage Vasiṣṭha, as the predominant Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Drawing a central lotus in a yantra/maṇḍala with specified colors and materials (yellow pericarp, black powder lines) and sharpening/raising the strokes to create a protective, weapon-like edge effect for ritual efficacy.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Madhya-koṣṭha Padma-lekhana: Yellow Pericarp Lotus in Yantra","lookup_keywords":["madhya-koṣṭha","padma","pīta-karṇikā","kṛṣṇa-rajas","kulisa-asi"],"quick_summary":"In the central cell draw a lotus with a bright yellow pericarp; execute the diagram with black powder and crisp, raised, sharp lines likened to vajra/sword edges for potency and clarity."}

Alamkara Type: Upamā (simile: lines like vajra/sword edge)

Weapon Type: Vajra; Sword (asi) as metaphor for sharp raised lines

Concept: Madhya (center) as the locus of śakti; color, material, and line-quality are upāyas that stabilize visualization and protective intent.

Application: When preparing yantras, follow prescribed pigments and crisp line execution to maintain legibility, symmetry, and ritual focus.

Khanda Section: Puja-vidhi / Yantra-Mantra-Kalpa (Tantric ritual diagrams and worship procedure)

Primary Rasa: adbhuta

Secondary Rasa: bhakti

Visual Art Cues: {"scene_description":"A ritual diagram shows a central lotus with a vivid yellow pericarp; black powder lines are drawn sharply and slightly raised, evoking the keen edge of a vajra or sword.","kerala_mural_prompt":"Kerala mural, central padma in a square maṇḍala, yellow karṇikā glowing, black granular linework rendered bold and sharp, priest-artist sprinkling powder with controlled hand.","tanjore_prompt":"Tanjore painting, central lotus with gold-leaf halo around the yellow pericarp, black lines crisp and embossed, ritual implements (vajra, sword) placed nearby as visual analogy.","mysore_prompt":"Mysore style, clean instructional depiction of lotus geometry, labeled petals and karṇikā in yellow, black powder technique shown with a small bowl and stylus, emphasis on sharp raised strokes.","mughal_miniature_prompt":"Mughal miniature, a tantric officiant draws a lotus yantra on a cloth/board using black powder, the yellow center painted, fine detailing of sharp line edges and tools."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Kalyani","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: भवेत्पद्मम् → भवेत् + पद्मम्; पीतकर्णिकमुज्ज्वलम् → पीत-करणिकम् + उज्ज्वलम्; कुलिशासिशितोर्धता → कुलिश-असि-शित-ऊर्धता (समास/सन्धि).

Related Themes: Agni Purana yantra/maṇḍala drawing and pūjā-vidhi passages near 310.6; Agni Purana mantra-kalpa sections describing protective diagrams and installations

A
Agni
P
Padma (lotus mandala)
V
Vajra (Kuliśa)
A
Asi (sword)

FAQs

It teaches a precise yantra/mandala construction rule: place a lotus in the central cell, specify its color-feature (yellow pericarp), and prescribe the drawing medium (black powder) and the required sharp, prominent line-work.

Beyond mythology, it preserves practical ritual-technology—how to physically draft a worship diagram (yantra/mandala) with materials, color cues, and drafting standards—showing the text’s coverage of applied liturgy and tantric procedure.

Correctly formed yantras are traditionally held to stabilize the deity-invocation and focus worship; precision in the diagram is treated as part of ritual purity and efficacy, supporting merit (puṇya) through proper observance.