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Varaha Purana 76.6: Adhyaya 76, Shloka 6

Description of Svarga: Amarāvatī, the Sudharmā Assembly Hall, and the Directional Cities

तस्या मध्येऽमरावत्यां वज्रवैडूर्यवेदिका । त्रैलोक्यगुणविख्याता सुधर्मा नाम वै सभा ॥ ७६.६ ॥

Sanskrit recitationVaraha Purana 76.6

tasyā madhye 'marāvatyāṃ vajravaiḍūryavedikā | trailokyaguṇavikhyātā sudharmā nāma vai sabhā || 76.6 ||

সেই অমৰাৱতীৰ মাজত বজ্ৰ আৰু বৈডূৰ্য-মণিৰ বেদিকা আছে; তাত ‘সুধৰ্মা’ নামৰ সভাগৃহ, যি ত্ৰিলোকত গুণে বিখ্যাত।

tasyāḥof it/of her (city)
tasyāḥ:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormFeminine, Genitive (6th/षष्ठी), Singular (एकवचन)
madhyein the middle
madhye:
Adhikarana (अधिकरण)
TypeNoun
Rootmadhya (प्रातिपदिक)
FormNeuter, Locative (7th/सप्तमी), Singular (एकवचन)
amarāvatyāmin Amarāvatī
amarāvatyām:
Adhikarana (अधिकरण)
TypeNoun
Rootamarāvatī (प्रातिपदिक)
FormFeminine, Locative (7th/सप्तमी), Singular (एकवचन)
vajra-vaiḍūrya-vedikāa dais of diamond and vaiḍūrya
vajra-vaiḍūrya-vedikā:
Karta (कर्ता)
TypeNoun
Rootvajra + vaiḍūrya + vedikā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular (एकवचन); ‘platform/altar of diamond and cat’s-eye gem’
trailokya-guṇa-vikhyātārenowned for virtues in the three worlds
trailokya-guṇa-vikhyātā:
Visheshana (विशेषण)
TypeAdjective
Roottri + loka + guṇa + vikhyāta (प्रातिपदिक; √khyā धातु, क्त)
FormFeminine, Nominative (1st/प्रथमा), Singular (एकवचन); PPP (क्त) qualifying sabhā
sudharmāSudharmā
sudharmā:
Karta (कर्ता)
TypeNoun
Rootsudharmā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular (एकवचन); proper name
nāmaby name
nāma:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootnāman (प्रातिपदिक)
FormIndeclinable used to denote naming (नाम-निपात)
vaiindeed
vai:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootvai (अव्यय)
FormEmphatic particle (निपात)
sabhāassembly hall
sabhā:
Karta (कर्ता)
TypeNoun
Rootsabhā (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular (एकवचन); in apposition to sudharmā

Varāha (default dialogue framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"curious"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Sudharmā as the archetypal ‘sabhā’ of right order: a cosmic court where dharma is articulated and harmonized, mirroring the inner ‘assembly’ of disciplined faculties around the Self.","yajna_varaha_imagery":"The jeweled vedikā (dais) evokes a yajña-vedi: a raised, consecrated platform where divine order is ‘seated’ and proclaimed; Sudharmā = ‘good dharma’ as the ritual-cosmic center.","vedantic_connection":"The ‘midst’ (madhya) motif aligns with Vedāntic centering: Brahman/Viṣṇu as the inner pivot; excellence ‘known in three worlds’ suggests the trans-local reality of dharma as satya."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma as order","core_concept":"Dharma is not merely rule but a harmonizing ‘assembly’ (sabhā) that stabilizes worlds; excellence is measured by its capacity to sustain triloka.","practical_application":"Create ‘Sudharmā’ in life: establish spaces and habits for truthful deliberation, ethical counsel, and collective decision-making grounded in śāstra and compassion."}

Subject Matter: ["Cosmology","Geography","Heritage Sites","Material Culture"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: divine civic-ritual hall (sabhā)

Related Themes: Varāha Purāṇa 76.76.7 (Indra present there)

Visual Art Cues: {"scene_description":"At the heart of Amarāvatī stands a dazzling dais inlaid with diamond and vaidūrya, leading into the famed assembly-hall Sudharmā—radiant, symmetrical, and otherworldly.","item_prompts":["jeweled vedikā platform","diamond-like facets and blue-green vaidūrya sheen","grand sabhā hall with pillars","celestial light beams","inscriptions or motifs suggesting ‘Sudharmā’"],"kerala_mural_prompt":"Kerala mural style: architectural symmetry, jewel-toned dais, patterned pillars; emphasize sacred geometry and luminous flat color fields.","tanjore_prompt":"Tanjore style: heavy gold on pillars and cornices; gem-inlay effect on the dais; central perspective leading into Sudharmā; ornate halo-like aureoles of light.","mysore_prompt":"Mysore style: refined palace interior, delicate ornament, subtle sparkle on vajra/vaidūrya; calm, dignified grandeur.","pahari_prompt":"Pahari style: stylized hall with rhythmic pillars; jewel platform rendered as patterned color blocks; soft celestial ambiance with minimalistic elegance."}

Audio Atmosphere: {"recitation_mood":"awe-struck, dignified","suggested_raga":"Shree","pace":"slow-medium","voice_tone":"measured, reverent"}

C
Classical Literature
P
Purāṇic Cosmography
V
Vaishnavism
A
Ancient Geography

FAQs

It preserves a Purāṇic cosmographic motif: Indra’s capital Amarāvatī and the idealized sabhā (assembly hall) Sudharmā, reflecting classical Indian literary descriptions of celestial courts and elite material culture.

Amarāvatī is the mythic/cosmographic capital of Indra (Śakra) in Svarga; it is not a directly mappable terrestrial site, though later traditions sometimes analogize it to royal capitals in poetic and architectural discourse.

The verse is primarily descriptive rather than prescriptive; philosophically, it emphasizes guṇa (excellence/virtue) as the basis of renown, framing cultural ideals of orderly assembly and exemplary governance in a cosmological setting.

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