इत्येवं चिन्तयंस्तत्र नारीं वचनमब्रवीत् । कुरुष्वात्मप्रदानं मे न मे दारपरिग्रहः । तवाहं दर्शनाद्देवि कामवाणेन पीडितः
ityevaṃ cintayaṃstatra nārīṃ vacanamabravīt | kuruṣvātmapradānaṃ me na me dāraparigrahaḥ | tavāhaṃ darśanāddevi kāmavāṇena pīḍitaḥ
এইদৰে চিন্তা কৰি সি তাত সেই কন্যাক ক’লে: “মোক আত্মদান কৰ; মোৰ পত্নী-গ্ৰহণৰ আনুষ্ঠানিকতা নালাগে। হে দেবীসমা, তোমাৰ দৰ্শনমাত্ৰেই মই কামদেৱৰ বাণে পীড়িত।”
Unspecified male (a suitor figure in the narrative; contextually the one overcome by desire upon seeing the maiden)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Listener: Devī
Scene: A man, agitated and leaning forward, speaks impulsively to a composed maiden; an invisible floral arrow motif (Kāma’s bāṇa) is suggested between them; the sea and sacred shoreline frame the tension.
Desire can overwhelm even the resolved mind; Purāṇic dharma urges restraint and right conduct rather than impulsive gratification.
Prabhāsa-kṣetra (Prabhās), presented as the sacred setting where vows and moral tests unfold.
No explicit ritual is prescribed here; the verse foregrounds the ethical tension between lust (kāma) and dharmic restraint.