ततस्तं पतितं दृष्ट्वा विस्मयं स तलो गतः । गतप्राणं तदा ज्ञात्वा हर्षान्नृत्यमथाकरोत्
tatastaṃ patitaṃ dṛṣṭvā vismayaṃ sa talo gataḥ | gataprāṇaṃ tadā jñātvā harṣānnṛtyamathākarot
তাৰ পাছত তেওঁক পতিত দেখি তালো বিস্মিত হ’ল; আৰু তেওঁ নিঃপ্ৰাণ বুলি জানি আনন্দত নৃত্য কৰিবলৈ ধৰিলে।
Narrator (within Prabhāsakṣetra-māhātmya discourse; exact speaker not present in snippet)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Listener: Female addressee (contextual)
Scene: Talo stands over the fallen Mahendra, eyes widened in astonishment; realizing death, he breaks into a fierce, exultant dance, dust swirling around his stamping feet.
Unchecked pride and delight in violence becomes the seed of wider cosmic disorder, prompting divine recourse to dharma-restoring powers.
Prabhāsakṣetra (Prabhāsa), the sacred region whose māhātmya frames the narrative and its theological resolution.
No direct ritual (snāna, dāna, japa) is stated in this verse.